000			03428cam a22005058i 4500
001			BRILL9789004421493
003			nllekb
005			20260610105511.0
007			cr un uuuua
008			191018s2020 mau b 001 0 eng
020			_a9789004421493 _q(electronic book)
020			_z9789004421486 _q(print)
024	7		_a10.1163/9789004421493 _2DOI
035			_a(OCoLC)1128062263
040			_aNL-LeKB _cNL-LeKB _erda
043			_ae-it---
050	0	0	_aN9003 _b.S55 2020
072		7	_aAC _2bicssc
072		7	_aART _x15000 _2bisacsh
082	0	0	_a709.45/09034 _223
100	1		_aSmalcerz, Joanna, _eauthor.
245	1	0	_aSmuggling the Renaissance : _bthe illicit export of artworks out of Italy, 1861-1909 / _cby Joanna Smalcerz.
264		1	_aLeiden Boston : _bBRILL, _c2020.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aStudies in the History of Collecting & Art Markets; _vvolume 8
490	1		_aEarly Modern History and Modern History E-Books Online, Collection 2020, ISBN: 9789004407398
500			_aOutgrowth of the author's thesis (Ph. D.)--Universität Bern, 2017.
504			_aIncludes bibliographical references and index.
505	0		_aFrom Rome to Berlin : the illicit export of the bust of the Princess of Urbino -- The buying collector : Wilhelm Bode and the demand for Italian Renaissance art -- The enquiring inspector : Giuseppe Fiorelli and the lacuna in Italian art export law -- The smuggling dealer : Stefano Bardini and the illicit export of art out of Italy -- The foreign strawman : Albert Figdor and the role of social networks in art smuggling.
520			_a"Smuggling the Renaissance: The Illicit Export of Artworks Out of Italy, 1861-1909 explores the phenomenon of art spoliation in Italy following Unification (1861), when the international demand for Italian Renaissance artworks was at an all-time high but effective art protection legislation had not yet been passed. Making use of rich archival material Joanna Smalcerz narrates the complex and often dramatic struggle between the lawmakers of the new Italian State, and international curators (e.g., Wilhelm Bode), collectors (e.g., Isabella Stewart Gardner) and dealers (e.g., Stefano Bardini) who continuously orchestrated illicit schemes to export abroad Italian masterpieces. At the heart of the intertwinement of the art trade, art scholarship and art protection policies the author exposes the socio-psychological dynamics of unlawful collecting".
650		0	_aArt _xEconomic aspects _zItaly _xHistory _y19th century.
650		0	_aArt _xEconomic aspects _zItaly _xHistory _y20th century.
650		0	_aCultural property _xProtection _zItaly _xHistory _y19th century.
650		0	_aCultural property _xProtection _zItaly _xHistory _y20th century.
650		0	_aSmuggling _zItaly _xHistory _y19th century.
650		0	_aSmuggling _zItaly _xHistory _y20th century.
776	0	8	_iPrint version: _tSmuggling the Renaissance: the illicit export of artworks out of Italy, 1861-1909, _dLeiden Boston: BRILL, 2020 _w9789004421486
830		0	_aStudies in the History of Collecting & Art Markets; _vvolume 8.
830		0	_aEarly Modern History and Modern History E-Books Online, Collection 2020, ISBN: 9789004407398.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004421493
999			_c37882 _d37882