000			04191nam a2200517 i 4500
001			BRILL9789004347540
003			nllekb
005			20260610105510.0
007			cr un uuuua
008			170718s2017 ne s 001 0 eng d
010			_a 2017034075
020			_a9789004347540 _q(electronic book)
020			_z9789004347533 _q(print)
024	7		_a10.1163/9789004347540 _2DOI
035			_a 2017034075 _6ORIG
040			_aNL-LeKB _cNL-LeKB _erda
043			_ae-uk-en
050		4	_aPN5124.A75
072		7	_aDS _2bicssc
072		7	_aLIT000000 _2bisacsh
082	0	4	_a052 _223
245	0	0	_aBLAST at 100 : _ba modernist magazine reconsidered / _cedited by Philip Coleman, Kathryn Milligan, Nathan O'Donnell.
264		1	_aLeiden ; _aBoston : _bBrill, _c2017.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	0		_aLiterary modernism ; _vv. 3
500			_aIncludes index.
505	0	0	_tIntroduction: “Storm from the North” / _rNathan O’Donnell and Philip Coleman -- _tTextual and Contextual Re-Readings -- _t“With Expletive of Whirlwind”: BLAST Then and Now / _rAndrzej Gąsiorek -- _tSoillure, Bomb Blasts, and Volcanic Chaos: Reading the Poetry of BLAST / _rAlex Runchman -- _t“Am I a Vorticist ?”: Re-Reading Rebecca West’s “Indissoluble Matrimony” and BLAST / _rKathryn Laing -- _tBLAST and the Canon: Exploring Wyndham Lewis’s “A Review of Contemporary Art” / _rKathryn Milligan -- _tBLAST and Ireland -- _t“Our More Profound Pre-Raphaelitism”: W.B. Yeats, Aestheticism, and BLAST / _rTom Walker -- _t“Springs of Creation”: BLAST and Irish Art / _rNathan O’Donnell -- _tVisualizing To-morrow: An Irish Modernist Periodical / _rAngela Griffith -- _tEnemy of the Stars Reconsidered -- _tBeyond Nietzsche: Savage Worship in Enemy of the Stars / _rChristopher Lewis -- _tEnemy of the Stars in Performance / _rNicholas E. Johnson and Colm Summers -- _tCritical and Creative Legacies -- _tLewis-Pound-McLuhan, BLAST and COUNTERBLAST: Connections, Comparisons, and Some Personal Reflections / _rJ.C.C. Mays -- _tRecreating BLAST in Spanish: Composition, Editing, Translation, and Annotation / _rYolanda Morató -- _tBLAST in the Classroom / _rPhilip Coleman -- _tAfterword: The Collective Work in the Critical Mode / _rSimon Cutts.
506			_aAvailable to subscribing member institutions only.
520			_aBLAST at 100 makes an original contribution to the understanding of a major modernist magazine. Providing new critical readings that consider the magazine’s influence within contexts that have not been acknowledged before – in the development of Irish and Spanish literature and culture in the twentieth century, for example, as well as in the areas of cultural studies, performance studies and the scholarship of teaching and learning – BLAST at 100 reconsiders the magazine’s complex legacy. In addition to situating the magazine in new and often unexpected contexts, BLAST at 100 also offers important new insights into the work of some of its most significant contributors, including Wyndham Lewis, Ezra Pound, and Rebecca West. Contributors are: Philip Coleman, Simon Cutts, Andrzej Gąsiorek, Angela Griffith, Nicholas E. Johnson, Kathryn Laing, Christopher Lewis, J.C.C. Mays, Kathryn Milligan, Yolanda Morató, Nathan O’Donnell, Alex Runchman, Colm Summers, Tom Walker
588			_aDescription based on print version record and CIP data provided by publisher; resource not viewed.
630	0	0	_aBlast (London, England)
650		0	_aArts _zEngland _xPeriodicals.
650		0	_aEnglish periodicals _xHistory _y20th century.
650		0	_aVorticism _zEngland.
700	1		_aColeman, Philip.
700	1		_aMilligan, Kathryn.
700	1		_aO'Donnell, Nathan.
776	0	8	_iPrint version: _tBLAST at 100 _dLeiden ; Boston : Brill, 2017 _z9789004347533 _w(DLC) 2017018351
830		0	_aLiterary Modernism _v3.
830		0	_aLiterature and Cultural Studies E-Books Online, Collection 2017, ISBN: 9789004328075.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004347540
999			_c37838 _d37838