| 000 | 03509nam a22004571i 4500 | ||
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| 001 | BRILL9789401202688 | ||
| 003 | nllekb | ||
| 005 | 20260610105507.0 | ||
| 007 | cr un uuuua | ||
| 008 | 210731s2004 ne sb 001 0 eng d | ||
| 020 |
_a9789401202688 _q(electronic book) |
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| 020 |
_a9789042019430 _q(print) |
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| 024 | 7 |
_a10.1163/9789401202688 _2DOI |
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| 035 | _a(OCoLC)1154925931 | ||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 050 | 4 | _aPQ433 | |
| 072 | 7 |
_aJFC _2bicssc |
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| 072 | 7 |
_aSOC _x022000 _2bisacsh |
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| 072 | 7 |
_aSOC _x026000 _2bisacsh |
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| 082 | 0 | 4 |
_a841.91209 _223 |
| 100 | 1 |
_aEvans, David, _eauthor. |
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| 245 | 1 | 0 |
_aRhythm, Illusion and the Poetic Idea: Baudelaire, Rimbaud, Mallarmé / _cDavid Evans. |
| 264 | 1 |
_aLeiden; _aBoston : _bBRILL, _c2004. |
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| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 1 | _aBrill Book Archive Part 1, ISBN: 9789004472495 | |
| 490 | 1 |
_aFaux Titre ; _v254 |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tPreliminary Material / _rDavid Evans -- _tAcknowledgements / _rDavid Evans -- _tIntroduction / _rDavid Evans -- _tRhythm in Theory / _rDavid Evans -- _tRhythm in Practice / _rDavid Evans -- _tRhythm and Prose Poetry / _rDavid Evans -- _tChallenging an Exclusive Poetics / _rDavid Evans -- _tA Formally Inclusive Poetics / _rDavid Evans -- _tRestoring Poetic Mystery / _rDavid Evans -- _tTowards an External Ideal / _rDavid Evans -- _tProtecting a Poetic Fiction / _rDavid Evans -- _tThe Internal Ideal and Poetic Form / _rDavid Evans -- _tConclusion / _rDavid Evans -- _tBibliographies / _rDavid Evans -- _tAppendix (Dates of Texts) / _rDavid Evans -- _tIndex / _rDavid Evans. |
| 520 | _aRhythm, Illusion and the Poetic Idea explores the concept of rhythm and its central yet problematic role in defining modern French poetry. Forging innovative lines of inquiry linking the detailed analysis of poetic form to the evolution of fundamental aesthetic principles, David Evans offers extensive new readings of the literary and critical writings of the three major poets at the centre of France's most important poetic revolution. The volume is of interest to all students and readers of Baudelaire, Rimbaud and Mallarmé, since here is presented for the first time a thorough comparative study of developments in each writer's poetic form and theory, focusing on the themes of illusion, deception and the musical metaphor. The book is also intended to stimulate wider critical debate on the interpretation of metrical verse, prose poetry and vers libre , and offers original analytical methods which facilitate the study of poetic form. The author proposes a radical shift in our understanding of the role and mechanisms of poetic rhythm, suggesting that its very resistance to definition and fixity provides a conveniently opaque veil over the difficulties of defining poetry in the nineteenth and twentieth centuries. | ||
| 588 | _aDescription based on print version record. | ||
| 650 | 0 |
_aFrench language _xRhythm. |
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| 650 | 0 |
_aFrench poetry _y19th century _xHistory and criticism. |
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| 776 | 0 | 8 |
_iPrint version: _tRhythm, Illusion and the Poetic Idea: Baudelaire, Rimbaud, Mallarmé. _dLeiden ; Boston : BRILL, 2004 _z9789042019430 _w(OCoLC)57170606 |
| 830 | 0 | _aBrill Book Archive Part 1, ISBN: 9789004472495. | |
| 830 | 0 |
_aFaux Titre ; _v254. |
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| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789401202688 |
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| 999 |
_c37679 _d37679 |
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