000 03254cam a2200517Ii 4500
001 BRILL9789401204927
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008 071205s2007 ne a sb 001 0 eng d
020 _a9789401204927
_q(electronic book)
020 _z9789042022706
_q(print)
024 7 _a10.1163/9789401204927
_2DOI
035 _a(OCoLC)182848201
_z(OCoLC)666984333
_z(OCoLC)712988617
_z(OCoLC)764536210
_z(OCoLC)842614046
_z(OCoLC)961523543
_z(OCoLC)962626713
_z(OCoLC)966212862
_z(OCoLC)988473958
_z(OCoLC)992039024
040 _aNL-LeKB
_cNL-LeKB
_erda
050 4 _aPQ2625.I2
_bZ687 2007eb
072 7 _aPOE
_x005030
_2bisacsh
072 7 _aGT
_2bicssc
072 7 _aPOL000000
_2bisacsh
082 0 4 _a841.912
_222
100 1 _aParish, Nina.
245 1 0 _aHenri Michaux :
_bexperimentation with signs /
_cNina Parish.
246 3 0 _aExperimentation with signs
264 1 _aAmsterdam ;
_aNew York :
_bRodopi,
_c2007.
300 _a1 online resource (346 pages) :
_billustrations.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
347 _adata file
_2rda
380 _aBibliography
490 1 _aFaux titre ;
_v302
504 _aIncludes bibliographical references (p. 313-334) and index.
505 0 0 _aPreliminary Material -- Illustrations -- Acknowledgements -- Introduction -- Mapping a Creative Itinerary -- Breaking New Ground -- An Oriental Imaginary: The Forms and Functions of Chinese Characters in Michaux’s Signs -- Writing/Drawing Movement and the Body -- Experimentation with Book Form -- Beyond the Book: Searching for other Expressive Forms -- Conclusion -- Bibliography -- Index.
506 _aAvailable to subscribing member institutions only.
520 _aHenri Michaux is both a recognised poet and visual artist, arguably one of the greatest ‘double artists’ of the twentieth century. This book presents the first detailed examination of a particular interdisciplinary aspect of his production, namely, the innovative experimentation with signs contained in four works: Mouvements, Par la voie des rythmes, Saisir and Par des traits . Questions arise concerning their literary and visual status as, in their attempt to render interior rhythm and dynamism, they occupy an interstitial space between writing and drawing, between the book and the canvas, between the Western alphabet and Chinese characters. This study addresses these questions by analysing the conception, production and reception of Michaux’s signs and the literary and artistic contexts in which they were produced.
600 1 0 _aMichaux, Henri,
_d1899-1984
_xCriticism and interpretation.
600 1 7 _aMichaux, Henri,
_d1899-1984.
_2fast
650 0 _aPicture-writing.
650 7 _aPicture-writing.
_2fast
655 7 _aCriticism, interpretation, etc.
_2fast
776 0 8 _iPrint version:
_aParish, Nina.
_tHenri Michaux.
_dAmsterdam ; New York : Rodopi, 2007
_z9789042022706
_z9042022701
_w(OCoLC)172981137
830 0 _aFaux Titre
_v302.
830 0 _aLiterature and Cultural Studies E-Books Online, Collection 2007, ISBN: 9789004357969.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789401204927
999 _c37401
_d37401