| 000 | 03028nam a2200445 i 4500 | ||
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| 001 | BRILL9789004310704 | ||
| 003 | nllekb | ||
| 005 | 20260610105459.0 | ||
| 007 | cr un uuuua | ||
| 008 | 160909s2016 nyu sb 001 0 eng d | ||
| 010 | _a 2016034193 | ||
| 020 |
_a9789004310704 _q(electronic book) |
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| 020 |
_z9789004323704 _q(print) |
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| 024 | 7 |
_a10.1163/9789004310704 _2DOI |
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| 035 |
_a 2016034193 _6ORIG |
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| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 050 | 4 |
_aPN1991.77.G6 _bC68 2016 |
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| 072 | 7 |
_aAPW _2bicssc |
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| 072 | 7 |
_aPER008000 _2bisacsh |
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| 082 | 0 | 4 |
_a791.44/72 _223 |
| 100 | 1 | _aCousins, Rick. | |
| 245 | 1 | 0 |
_aSpike Milligan's accordion : _bthe distortion of time and space in the Goon show / _cby Rick Cousins. |
| 264 | 1 |
_aLeiden ; _aBoston : _bBrill, _c[2016] |
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| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 0 | _aConsciousness, literature and the arts 49 | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 | _aPreliminary Material -- Introduction -- The Accordion under Construction: The Origins of Spike Milligan’s Comedic Style, and of The Goon Show -- The Accordion Beating Time: Temporal Distortions in The Goon Show -- The Accordion Stretching in All Directions: Spatial Distortions in The Goon Show -- Children Teach Lessons on the Accordion: Preoperational Cognitive Strategies in The Goon Show -- The Accordion Plays a New Tune before Anyone Can Write It Down: Anticipations of Postmodernism in The Goon Show -- Conclusion: The Accordion is Packed Away -- Sources -- Index. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _a“It’s all rather confusing, really” was one of the catchphrases used by Spike Milligan in his ground-breaking radio comedy program The Goon Show. In a series of mock-epics broadcast over the course of a decade, Milligan treated listeners to a cosmology governed by confusion, contradictions, fluidity and uncertainty. In The Goon Show ’s universe, time and space expand and contract seemingly at will and without notice. The worldview featured in The Goon Show looked both backward and forward: backward, in the sense that it paralleled strategies used by schoolchildren to understand time and space; forward, in the ways it anticipated and prefigured a number of key features of postmodern thought. Winner of the Ann Saddlemyer Award 2017 of the Canadian Association for Theatre Research. | ||
| 630 | 0 | 0 | _aGoon show (Radio program) |
| 650 | 0 | _aSpace and time on radio. | |
| 776 | 0 | 8 |
_iPrint version: _tSpike Milligan's Accordion: The Distortion of Time and Space in The Goon Show _dLeiden, Boston : Brill | Rodopi, 2017, _z9789004323704 |
| 830 | 0 |
_aConsciousness, Literature and the Arts _v49. |
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| 830 | 0 | _aLiterature and Cultural Studies E-Books Online, Collection 2016, ISBN: 9789004303928. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004310704 |
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_c37257 _d37257 |
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