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| 001 | BRILL9789401210355 | ||
| 003 | nllekb | ||
| 005 | 20260610105456.0 | ||
| 007 | cr un uuuua | ||
| 008 | 140114s2014 ne a sb 001 0 eng d | ||
| 010 | _a 2013498548 | ||
| 020 |
_a9789401210355 _q(electronic book) |
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| 020 |
_z9789042037861 _q(print) |
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| 024 | 7 |
_a10.1163/9789401210355 _2DOI |
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| 035 |
_a(OCoLC)869414971 _z(OCoLC)866937888 |
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| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 050 | 4 |
_aPN1081 _bC36 2014 |
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| 072 | 7 |
_aPN _2lcco |
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| 072 | 7 |
_aDSBH _2bicssc |
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_aLIT000000 _2bisacsh |
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| 082 | 0 | 4 |
_a809.1 _b23 |
| 100 | 1 |
_aCampbell, Marion, _d1948- |
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| 245 | 1 | 0 |
_aPoetic revolutionaries : _bintertextuality and subversion / _cMarion May Campbell. |
| 264 | 1 |
_aAmsterdam : _bRodopi, _c2014. |
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| 300 |
_a1 online resource (323 pages) : _billustration. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 1 |
_aPostmodern studies ; _v50 |
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| 504 | _aIncludes bibliographical references (p. 293-309) and index. | ||
| 505 | 0 | 0 | _aPreliminary Material -- Acknowledgements -- The fetishised coupling: poetics and revolution -- Jean Genet’s transgressive scenography -- Monique Wittig’s Le corps lesbien / The Lesbian Body -- Re-materialising the disappearing body in Angela Carter’s The Bloody Chamber -- Kathy Acker or Catheter the Hack -- Textual intercourse: Kathleen Mary Fallon’s Working Hot -- Kim Scott’s Benang: From the Heart -- Radical disorientalism in Brian Castro’s Shanghai Dancing -- In guise of conclusion -- ironic trans-contextualisation in a work of postmodern parody -- Works cited -- Index. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aPoetic Revolutionaries is an exploration of the relationship between radical textual practice, social critique and subversion. From an introduction considering recent debates regarding the cultural politics of intertextuality allied to avant-garde practice, the study proceeds to an exploration of texts by a range of writers for whom formal and poetic experimentation is allied to a subversive politics: Jean Genet, Monique Wittig, Angela Carter, Kathy Acker, Kathleen Mary Fallon, Kim Scott and Brian Castro. Drawing on theories of avant-garde practice, intertextuality, parody, representation, and performance such as those of Mikhaïl Bakhtin, Julia Kristeva, Gérard Genette, Margaret A. Rose, Linda Hutcheon, Fredric Jameson, Ross Chambers and Judith Butler, these readings explore how a confluence of writing strategies – covering the structural, narratological, stylistic and scenographic – can work to boost a text’s subversive power. | ||
| 650 | 0 | _aRevolutionaries in literature. | |
| 650 | 0 | _aPolitics in literature. | |
| 650 | 0 | _aPolitics and literature. | |
| 650 | 0 |
_aPoetry _xHistory and criticism. |
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| 650 | 7 |
_aPolitics and literature. _2fast |
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| 650 | 7 |
_aPoetry. _2fast |
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| 650 | 7 |
_aPolitics in literature. _2fast |
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| 650 | 7 |
_aRevolutionaries in literature. _2fast |
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| 655 | 7 |
_aCriticism, interpretation, etc. _2fast |
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| 776 | 0 | 8 |
_iPrint version: _tPoetic Revolutionaries: Intertextuality & Subversion _dLeiden, Boston : Brill | Rodopi, 2014, _z9789042037861 |
| 830 | 0 |
_aPostmodern Studies _v50. |
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| 830 | 0 | _aLiterature and Cultural Studies E-Books Online, Collection 2014, ISBN: 9789004357884. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789401210355 |
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_c37085 _d37085 |
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