000 02377nam a22004451i 4500
001 BRILL9789004467378
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007 cr un uuuua
008 210731s2021 ne sb 001 0 eng d
020 _a9789004467378
_q(electronic book)
020 _a9789004467019
_q(print)
024 7 _a10.1163/9789004467378
_2DOI
035 _z(OCoLC)1256627630
040 _aNL-LeKB
_cNL-LeKB
_erda
050 4 _aPA3001
072 7 _aDS
_2bicssc
072 7 _aLIT
_x000000
_2bisacsh
082 0 4 _a880
_223
100 1 _aHammond, Paul,
_eauthor.
245 1 0 _aTragic Agency in Classical Drama from Aeschylus to Voltaire /
_cPaul Hammond.
264 1 _aLeiden;
_aBoston :
_bBRILL,
_c2021.
300 _a1 online resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
490 1 _aFaux Titre ;
_v451
490 1 _aLiterature and Cultural Studies E-Books Online, Collection 2021, ISBN: 9789004441248
504 _aIncludes bibliographical references and index.
520 _aAre we free agents? This perennial question is addressed by tragedy when it dramatizes the struggle of individuals with supernatural forces, or maps the inner conflict of a mind divided against itself. The first part of this book follows the adaptations of four myths as they migrate from classical Greek tragedy to Seneca and on to seventeenth-century France: the stories of Agamemnon, Oedipus, Medea, and Phaedra. Detailed linguistic analysis charts the playwrights' contrasting assumptions about agency and autonomy. In the second part, six plays by Corneille and Racine are discussed to show how the problem of agency and free will is explored in scenarios which show protagonists who are in thrall to their past, to their rulers, or to their own ideals.
588 _aDescription based on print version record.
650 0 _aCultural History.
650 0 _aGreek & Latin Literature.
650 0 _aTheatre Studies.
776 0 8 _iPrint version:
_tTragic Agency in Classical Drama from Aeschylus to Voltaire.
_dLeiden ; Boston : BRILL, 2021
_z9789004467019
830 0 _aFaux Titre ;
_v451.
830 0 _aLiterature and Cultural Studies E-Books Online, Collection 2021, ISBN: 9789004441248.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789004467378
999 _c36983
_d36983