000			05277nam a22005418i 4500
001			BRILL9789401202442
003			nllekb
005			20260610105450.0
007			cr un uuuua
008			200716s2005 ne sb 001 0 eng d
020			_a9789401202442 _q(electronic book)
020			_a9789042018884 _q(print)
024	7		_a10.1163/9789401202442 _2DOI
035			_a(OCoLC)70867904
040			_aNL-LeKB _cNL-LeKB _erda
050		4	_aP47
072		7	_aDS _2bicssc
072		7	_aLIT _x000000
082	0	4	_a809 _223
245	0	4	_aThe Book as Artefact : _bText and Border / _cedited by Anne Mette Hansen, Roger Lüdeke, Wolfgang Streit, Cristina Urchueguía, Peter L. Shillingsburg.
246	3		_aText and Border
264		1	_aLeiden; _aBoston : _bBRILL, _c2005.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aVariants ; _v4
490	1		_aBrill Book Archive Part 1, ISBN: 9789004472495
504			_aIncludes bibliographical references and index.
505	0		_aThe Book as Artefact -- Edited by Anne Mette Hansen -- Paul EGGERT: Version - Agency - Intention: The Cross-fertilising of German and Anglo-American Editorial Traditions -- Peter L. SHILLINGSBURG: Practical Editions of Literary Texts -- Ragnheiður MÓSESDÓTTIR: "Good white paper, with a new, clear and elegant typeface": Early Arnamagnæan Editions -- Eva Nilsson NYLANDER: To the Glory of Mary: Liber Scole Virginis at Lund University Library -- João DIONÍSIO: Tables of Contents in Portuguese Late Medieval Manuscripts -- Rüdiger NUTT-KOFOTH: The Book in the Poetological Concept of Stefan George: Some Remarks on the Physical and Iconic Side of the Published Text - with an Editorial Conclusion -- Dirk VAN HULLE: The Limited Edition Unlimited: Samuel Beckett's Fugal Artefact -- Text and Border: The Borders of the Text -- Edited by Roger Lüdeke, Wolfgang Streit and Cristina Urchueguía -- George BORNSTEIN: The Book as Artefact: Historicizing Ezra Pound's First Thirty Cantos -- Julia BRIGGS: Writing by Numbers: An Aspect of Woolf 's Revisionary Practice -- Michael GRODEN: Proceeding Energetically From the Unknown to the Known: Looking Again at the Genetic Texts and Documents for Joyce's Ulysses -- Geert LERNOUT: The Dimension of the Text -- John MCCOURT: Writing on the Edge: Trollope's An Eye for An Eye -- Jerome MCGANN: From Text to Work: Digital Tools and the Emergence of the Social Text -- Fritz SENN: The Potency of Error (exemplified in Joyce's Ulysses ) -- The Interpretive Consequences of Textual Criticism -- Edited by Peter Shillingsburg -- John BRYANT: Versions of Moby-Dick : Plagiarism, Censorship, and Some Notes toward an Ethics of the Fluid Text -- Marta L. WERNER: Emily Dickinson's Futures: "Unqualified - to Scan" -- Reviews and Book Notices -- Notes on Contributors.
520			_aBooks do not just contain texts: books themselves are cultural artefacts, which convey many meanings in their own right, meanings which interact with the texts they contain. Awareness of the many significances of books as cultural and textual objects reshapes the traditional disciplines of textual theory, analytic bibliography, codicology and palaeography, while the advent of electronic books, and digital methods for representing print books, is introducing a new dimension to our understanding. Seven essays in this volume, ranging over medieval Portuguese and Swedish manuscripts, eighteenth-century Icelandic editions, Australian playtexts, Thackeray and Anita Brookner, and Stefan George, consider these questions from the broad perspective of textual scholarship. Texts may exist on the borderland of word and not-word; or they may spring from borderlands of nation or culture; or they may be considered from the margins of neighbouring disciplines. So readers must set the texts within contexts, to see the play of text against border. Essays in this volume explore different texts against varying backgrounds - Pound's Cantos , Joyce's Ulysses , Trollope's An Eye for an Eye , Woolf's The Waves - while essays by McGann and Lernout argue the dimensionality of text on the intersection of print and digital media. Implicit in all these essays is the contention, that textual scholarship must influence literary interpretation. Two final essays focus directly on this, in the cases of Melville's Moby-Dick and Emily Dickinson's late fragments. An extensive reviews section completes this volume.
588			_aDescription based on print version record.
650		0	_aArtifacts.
650		0	_aBooks.
650		0	_aCriticism, Textual.
650		0	_aManuscripts.
650		0	_aText criticism.
700	1		_aLüdeke, Roger, _eeditor.
700	1		_aStreit, Wolfgang, _eeditor.
700	1		_aHansen, Anne Mette, _eeditor.
700	1		_aUrchueguía, Cristina, _eeditor.
700	1		_aShillingsburg, Peter L., _eeditor.
776	0	8	_iPrint version: _tThe Book as Artefact : Text and Border. _dLeiden ; Boston : BRILL, 2005 _z9789042018884 _w(OCoLC)70249752
830		0	_aVariants ; _v4.
830		0	_aBrill Book Archive Part 1, ISBN: 9789004472495.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789401202442
999			_c36775 _d36775