| 000 | 03812cam a22004698i 4500 | ||
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| 001 | BRILL9789004398030 | ||
| 003 | nllekb | ||
| 005 | 20260610105441.0 | ||
| 007 | cr un uuuua | ||
| 008 | 190322s2019 ne b 001 0 eng c | ||
| 010 | _a 2019012579 | ||
| 020 |
_a9789004398030 _q(electronic book) |
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| 020 |
_z9789004398023 _q(print) |
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| 024 | 7 |
_a10.1163/9789004398030 _2DOI |
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_aNL-LeKB _cNL-LeKB _erda |
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| 050 | 4 |
_aPQ4075 _b.B85 2019 |
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| 072 | 7 |
_aDSBB _2bicssc |
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| 072 | 7 |
_aLIT _x004190 _2bisacsh |
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_aLIT _x011000 _2bisacsh |
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_a850.9 _223 |
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_aBuilding the canon through the classics : _bimitation and variation in Renaissance Italy (1350-1550) / _cedited by Eloisa Morra. |
| 264 | 1 |
_aLeiden ; _aBoston : _bBrill, _c[2019] |
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| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 0 |
_aMetaforms studies in the reception of classical antiquity, _x2212-9405 ; _vvolume 15 |
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| 490 | 0 | _aClassical Studies E-Books Online, Collection 2020, ISBN: 9789004393820 | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tFront Matter -- _tCopyright Page -- _tAcknowledgements -- _tIllustrations -- _tNotes on the Editor -- _tNotes on Contributors -- _tIntroduction / _rEloisa Morra -- _tBoccaccio as Homer: A Recently Discovered Self-portrait and the ‘modern’ Canon / _rMaddalena Signorini -- _tIn the Center of the Kaleidoscope: Ovidian Poetic Image and Boccaccio’s Self-Representation in De Mulieribus Claris / _rTalita Janine Juliani -- _tThe Place of the Father: The Reception of Homer in the Renaissance Canon / _rValentina Prosperi -- _tPolitian: The Philologer as Artist / _rJaspreet Boparai -- _tHumanistic Biographies of Horace and His Inclusion in the Fifteenth-century Literary Canon / _rGiacomo Comiati -- _tEditing Vernacular Classics in the Early Sixteenth Century: Ancient Models and Modern Solutions* / _rCarlo Caruso -- _tBuilding the Canon in 1530s Rome: Colocci’s epigrammatari as a Test Case / _rNadia Cannata -- _tThe Literary Canon and the Visual Arts: From the Three Crowns to Ariosto and Tasso / _rFederica Caneparo -- _t‘Re-figuring’ Lucian of Samosata: Authorship and Literary Canon in Early Modern Italy / _rIrene Fantappiè -- _tBack Matter -- _tIndex of Names. |
| 520 | _aBuilding the Canon through the Classics. Imitation and Variation in Renaissance Italy (1350-1580) provides a comprehensive reappraisal of the construction of a literary canon in Renaissance Italy by exploring the multiple reuses of classical authorities. The volume reshapes current debate on the notion of canon by intertwining two perspectives: analyzing when and in what form a canon emerged, and determining the ways in which an ancient literary canon interacts with the urge to bestow a similar authority on some later and contemporaneous authors. Each chapter makes an original contribution to its selected topic, but the collective strength of the volume relies on its simultaneous appeal to readers in Italian Studies, intellectual history, comparative studies and classical reception studies. | ||
| 650 | 0 |
_aItalian literature _xHistory and criticism. |
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| 650 | 0 |
_aItalian literature _xClassical influences. |
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| 650 | 0 | _aCanon (Literature) | |
| 650 | 0 | _aImitation in literature. | |
| 700 | 1 |
_aMorra, Eloisa, _d1988- _eeditor. |
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| 776 | 0 | 8 |
_iPrint version: _tBuilding the Canon through the Classics: Imitation and Variation in Renaissance Italy (1350-1580) _dLeiden, Boston : BRILL, [2019], _z9789004398023 |
| 830 | 0 |
_aMetaforms _v15. |
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| 830 | 0 | _aClassical Studies E-Books Online, Collection 2020, ISBN: 9789004393820. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004398030 |
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| 999 |
_c36225 _d36225 |
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