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| 001 | BRILL9789004218833 | ||
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_a9789004218833 _q(electronic book) |
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_z9789004217539 _q(print) |
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_a10.1163/9789004218833 _2DOI |
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_a(OCoLC)774290162 _z(OCoLC)794698165 |
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_aNL-LeKB _cNL-LeKB _erda |
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_aPT5732 _b.J66 2012eb |
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_aLIT _x004170 _2bisacsh |
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_aHIS000000 _2bisacsh |
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_a839.31/23 _223 |
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_aJoost van den Vondel (1587-1679) : _bDutch playwright in the golden age / _cedited by Jan Bloemendal, Frans-Willem Korsten. |
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_aLeiden ; _aBoston : _bBrill, _c2012. |
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_a1 online resource (xi, 652 pages) : _bportrait. |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _2rdacarrier |
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_aDrama and theatre in early modern Europe, _x2211-341X ; _vv. 1 |
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| 504 | _aIncludes bibliographical references and indexes. | ||
| 505 | 0 | 0 |
_tPreliminary Material / _rJan Bloemendal and Frans-Willem Korsten -- _tVondel’s Dramas: A Chronological Survey / _rEddy Grootes and Riet Schenkeveld-van der Dussen -- _tVondel’s Works for the Stage Read and Studied Over the Centuries / _rRiet Schenkeveld-van der Dussen -- _tVondel’s Dramas: Ways of Relating Present and Past / _rFrans-Willem Korsten -- _tVondel’s Life / _rMieke B. Smits-Veldt and Marijke Spies -- _tVondel’s Religion / _rJudith Pollmann -- _tVondel and Amsterdam / _rEddy Grootes -- _tVondel as a Dramatist: The Representation of Language and Body / _rBettina Noak -- _tVondel’s Theatre and Music / _rLouis Peter Grijp and Jan Bloemendal -- _tVondel’s Dramas: Their Afterlife in Performance / _rMieke B. Smits-Veldt -- _tBetween Disregard and Political Mobilization – Vondel as a Playwright in Contemporary European Context: England, France and the German Lands / _rGuillaume van Gemert -- _tNew Historicism – Hierusalem verwoest (1620) and the Jewish Question / _rJürgen Pieters -- _tPolitics and Aesthetics – Decoding Allegory in Palamedes (1625) / _rNina Geerdink -- _tTranslation Studies – Vondel’s Appropriation of Grotius’s Sophompaneas (1635) / _rMadeleine Kasten -- _tIntertextuality – Gysbreght van Aemstel (1637) / _rMarco Prandoni -- _tDramaturgy – Staging Problems in Vondel’s Gysbreght van Aemstel / _rPeter G.F. Eversmann -- _tCultural Analysis – Joseph Plays / _rMieke Bal , Maaike Bleeker , Bennett Carpenter and Frans-Willem Korsten -- _tThe Humanist Tradition – Maria Stuart (1646) / _rJames A. Parente and Jan Bloemendal -- _tDeconstruction – Unsettling Peace in Leeuwendalers (1647) / _rStefan van der Lecq -- _tReligion and Politics – Lucifer (1654) and Milton’s Paradise Lost (1674) / _rJan Frans van Dijkhuizen and Helmer Helmers -- _tGender Studies – Emotions in Jeptha (1659) / _rKristine Steenbergh -- _tClose Reading and Theory – The David Plays / _rFrans-Willem Korsten -- _tPsychoanalysis – Law, Theatre and Violence in Samson (1660) / _rYasco Horsman -- _tLaw and Literature – Batavische gebroeders (1663) / _rJeanne Gaakeer -- _tNew Philology – Variants in Adam in ballingschap (1664) / _rJan Bloemendal -- _tPhilosophy – Noah (1667) on God and Nature / _rWiep van Bunge -- _tBibliography of Vondel’s Dramas (1850–2010) / _rJan Bloemendal -- _tWorks Cited / _rJan Bloemendal and Frans-Willem Korsten -- _tAbout the Authors / _rJan Bloemendal and Frans-Willem Korsten -- _tIndex of Names, Including Characters / _rJan Bloemendal and Frans-Willem Korsten -- _tIndex of Names of Scholars / _rJan Bloemendal and Frans-Willem Korsten -- _tIndex of Concepts, Subjects, Themes, Geographical Names / _rJan Bloemendal and Frans-Willem Korsten. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aJoost van den Vondel (1587-1679) was the most prolific poet and playwright of his age. During his long life, roughly coinciding with the Dutch Golden Age, he wrote over thirty tragedies. He was a famous figure in political and artistic circles of Amsterdam, a contemporary and acquaintance of Grotius and Rembrandt, and in general well acquainted with Latin humanists, Dutch scholars, authors and Amsterdam burgomasters. He fuelled literary, religious and political debates. His tragedy 'Gysbreght van Aemstel', which was played on the occasion of the opening of the stone city theatre in 1638, was to become the most famous play in Dutch history, and can probably boast holding the record for the longest tradition of annual performance in Europe. In general, Vondel’s texts are literary works in the full sense of the word, complex and inexhaustive; attracting attention throughout the centuries. Contributors include: Eddy Grootes, Riet Schenkeveld-van der Dussen, Mieke B. Smits-Veldt, Marijke Spies, Judith Pollmann, Bettina Noak, Louis Peter Grijp, Guillaume van Gemert, Jürgen Pieters, Nina Geerdink, Madeleine Kasten, Marco Prandoni, Peter Eversmann, Mieke Bal, Maaike Bleeker, Bennett Carpenter, James A. Parente, Jr., Stefan van der Lecq, Jan Frans van Dijkhuizen, Helmer Helmers, Kristine Steenbergh, Yasco Horsman, Jeanne Gaakeer, and Wiep van Bunge. | ||
| 546 | _aEnglish. | ||
| 600 | 1 | 0 |
_aVondel, Joost van den, _d1587-1679 _xCriticism and interpretation. |
| 600 | 1 | 7 |
_aVondel, Joost van den, _d1587-1679. _2fast |
| 655 | 7 |
_aCriticism, interpretation, etc. _2fast |
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| 700 | 1 | _aBloemendal, Jan. | |
| 700 | 1 | _aKorsten, Frans-Willem. | |
| 776 | 0 | 8 |
_iPrint version: _tJoost van den Vondel (1587-1679). _dLeiden ; Boston : Brill, 2012 _z9789004217539 _w(DLC) 2011034804 _w(OCoLC)751780571 |
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_aDrama and Theatre in Early Modern Europe _v1. |
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| 830 | 0 | _aEuropean History and Culture E-Books Online, Collection 2012, ISBN: 9789004223257. | |
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_zDOI: _uhttp://dx.doi.org/10.1163/9789004218833 |
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_c35897 _d35897 |
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