| 000 | 03186nam a2200445 i 4500 | ||
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| 001 | BRILL9789004221413 | ||
| 003 | nllekb | ||
| 005 | 20260610105422.0 | ||
| 007 | cr un uuuua | ||
| 008 | 110825s2012 ne sb 001 0 eng d | ||
| 010 | _a 2011035563 | ||
| 020 |
_a9789004221413 _q(electronic book) |
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| 020 |
_z9789004218192 _q(print) |
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| 024 | 7 |
_a10.1163/9789004221413 _2DOI |
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| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 050 | 4 |
_aB2784 _b.S83 2012 |
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| 072 | 7 |
_aHP _2bicssc |
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| 072 | 7 |
_aPHI _x026000 _2bisacsh |
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| 079 | _aocn748577945 | ||
| 082 | 0 | 4 |
_a190 _223 |
| 245 | 0 | 4 |
_aThe sublime and its teleology : _bKant, German idealism, phenomenology / _cedited by Donald Loose. |
| 264 | 1 |
_aLeiden ; _aBoston : _bBrill, _c2012. |
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| 300 | _a1 online resource (vi, 230 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 1 |
_aCritical studies in German idealism ; _v4 |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tPreliminary Material / _rDonald Loose -- _tIntroduction / _rDonald Loose -- _tThe Genuine Sublime: / _rHerman van Erp -- _tKant’s Aesthetics of Morals / _rBirgit Recki -- _tThe Dynamic Sublime as the Pivoting Point between Nature and Freedomin Kant / _rDonald Loose -- _tSublimity, Freedom, and Necessity in the Philosophy of Kant / _rArthur Kok -- _tTeleology in Kant’s Philosophy of Culture and History: / _rChristian Krijnen -- _tThe Lord and the Sublime: / _rPaul Cobben -- _tThe Sublime Monster / _rJacob Rogozinski -- _tThe Tragical Sublime / _rSimon Critchley -- _tThe Sublime and the Limits of Metaphysics / _rFrans van Peperstraten -- _tMelville’s ‘Sublime Uneventfulness’. Toward a Phenomenology of the Sublime / _rRuud Welten -- _tContributors / _rDonald Loose -- _tIndex of Rituals / _rDonald Loose. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aWhat are we talking about when we qualify something as sublime? Is it just a qualification of the beautiful in its most touching degree? Is it a qualification of something ouside there anyway? Is it a feeling or a reflecting judgment on aesthetic appreciation? And can we reduce the sublime to the aesthetic? The authors of this book all take the analysis of Kant in \'Critique of the Power of Judgment\' as their primary reference. The argument of this book however is to show in what way the Kantian legacy on this topic is still a main stream of inspiration for contemporary thinking, whether in line with Kant or overcoming his primary impetus for modern philosophy of freedom in a critical reception. | ||
| 600 | 1 | 0 |
_aKant, Immanuel, _d1724-1804. _tKritik der Urteilskraft. |
| 650 | 0 |
_aSublime, The _xHistory. |
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| 700 | 1 |
_aLoose, Donald, _d1949- |
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| 776 | 0 | 8 |
_iPrint version: _tThe Sublime and its Teleology: Kant - German Idealism - Phenomenology _dLeiden, Boston : BRILL, 2011, _z9789004218192 |
| 830 | 0 |
_aCritical Studies in German Idealism _v4. |
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| 830 | 0 | _aReligious Studies, Theology and Philosophy E-Books Online, Collection 2012, ISBN: 9789004223301. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004221413 |
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_c35135 _d35135 |
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