000			03618nam a22004818i 4500
001			BRILL9789401200240
003			nllekb
005			20260610105417.0
007			cr un uuuua
008			200716s2001 ne sb 001 0 eng d
020			_a9789401200240 _q(electronic book)
020			_a9789042012653 _q(print)
024	7		_a10.1163/9789401200240 _2DOI
035			_z(OCoLC)48395469
040			_aNL-LeKB _cNL-LeKB _erda
050		4	_aPN2159.R45
072		7	_aHBJD _2bicssc
072		7	_aHIS _x010000
082	0	4	_a200.9 _223
245	0	0	_aMoving Subjects : _bProcessional Performance in the Middle Ages and the Renaissance / _cedited by Kathleen Ashley, Wim Hüsken.
246	3		_aProcessional Performance in the Middle Ages and the Renaissance
264		1	_aLeiden; _aBoston : _bBRILL, _c2001.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aLudus ; _v5
490	1		_aBrill Book Archive Part 1, ISBN: 9789004472495
504			_aIncludes bibliographical references and index.
505	0		_aKathleen ASHLEY: Introduction: The Moving Subjects of Processional Performance -- C. Clifford FLANIGAN (†) : The Moving Subject: Medieval Liturgical Processions in Semiotic and Cultural Perspective -- Kathleen ASHLEY & Pamela SHEINGORN: Sainte Foy on the Loose, Or, The Possibilities of Procession -- Thomas A. BOOGAART II: Our Saviour's Blood: Procession and Community in Late Medieval Bruges -- Elizabeth A.R. BROWN & Nancy FREEMAN REGALADO: Universitas et communitas : The Parade of the Parisians at the Pentecost Feast of 1313 -- Jesse D. HURLBUT: The Duke's First Entry: Burgundian Inauguration and Gift -- Donald PERRET: The Meaning of the Mystery: From Tableaux to Theatre in the French Royal Entry -- Theodore K. LERUD: Quick Images: Memory and the English Corpus Christi Drama -- James D. STOKES: Processional Entertainments in Villages and Small Towns.
520			_aProcession, arguably the most ubiquitous and versatile public performance mode until the seventeenth century, has received little scholarly or theoretical attention. Yet, this form of social behaviour has been so thoroughly naturalised in our accounts of western European history that it merited little comment as a cultural performance choice over many centuries until recently, when a generation of cultural historians using explanatory models from anthropology called attention to the processional mode as a privileged vehicle for articulation in its society. Their analyses, however, tended to focus on the issue of whether processions produced social harmony or reinforced social distinctions, potentially leading to conflict. While such questions are not ignored in this collection of essays, its primary purpose is to reflect upon salient theatrical aspects of processions that may help us understand how in the performance of "moving subjects" they accomplished their often transformative cultural work.
588			_aDescription based on print version record.
650		0	_aProcessions _xHistory.
650		0	_aProcessions, Religious _xHistory.
650		0	_aProcessions.
700	1		_aHüsken, Wim, _eeditor.
700	1		_aAshley, Kathleen, _eeditor.
776	0	8	_iPrint version: _tMoving Subjects : Processional Performance in the Middle Ages and the Renaissance. _dLeiden ; Boston : BRILL, 2001 _z9789042012653
830		0	_aLudus ; _v5.
830		0	_aBrill Book Archive Part 1, ISBN: 9789004472495.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789401200240
999			_c34844 _d34844