000			02991nam a22004938i 4500
001			BRILL9789004664760
003			nllekb
005			20260610105414.0
007			cr un uuuua
008			231017s1995 gw sb 001 0 eng d
020			_a9789004664760 _q(electronic book)
020			_z9789051837889 _q(print)
024	7		_a10.1163/9789004664760 _2DOI
035			_z(OCoLC)33936197
040			_aNL-LeKB _cNL-LeKB _erda
041			_aeng
050		4	_aN380
072		7	_aABA _2bicssc
072		7	_aART _x009000 _2bisacsh
072		7	_aPHI _x001000 _2bisacsh
082	0	4	_a701.1 _223
100	1		_aSlager, Henk, _eauthor.
245	1	0	_aArcheology of Art Theory / _cHenk Slager.
264		1	_aLeiden ; _aBoston : _bBrill, _c1995.
264		4	_c©1995
300			_a1 online resource (196 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aLier & Boog ; _v5
490	1		_aReligious Studies, Theology and Philosophy - Book Archive pre-2000
504			_aIncludes bibliographical references and index.
505	0		_tPreliminary Material / _rHenk Slager -- Prolegomena / _rHenk Slager -- Similitude and Interpretation / _rHenk Slager -- Identity and Criticism / _rHenk Slager -- Subject and History / _rHenk Slager -- Difference and Structure / _rHenk Slager -- Notes / _rHenk Slager -- Selected Bibliography / _rHenk Slager.
520			_aThis study is an archeological investigation into the historically changing relationship between words and images. The result is an encyclopedia of interpretative techniques in which language functions as a model of thought. Three periods come to the fore. In the classical one, grammatical structures are responsible for the dominance of describing and identifying activities. Thought about art departs from the idea, that classificatory systems (words) represent images. Art criticism is the form of interpretation in this period. In the modern period time moves to the foreground. Now attention is focused on changes in grammatical forms instead of changes in constant structures. A hermeneutic form of interpretation comes into being: Art History . In the postmodern period one realizes that words fail to establish a consistent relationship with visuality. New, semiological theories of interpretation now explain what images can signify. This volume is of interest for philosophers of art and art theoreticians, as well as for students and professionals in both fields.
546			_aEnglish
588			_aDescription based on print version record.
650		0	_aArt history.
650		0	_aArt _xHistoriography.
776	0	8	_iPrint version: _tArcheology of Art Theory. _dLeiden ; Boston : Brill, 1995. _z9789051837889
830		0	_aLier & Boog ; _v5.
830		0	_aReligious Studies, Theology and Philosophy - Book Archive pre-2000.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004664760
999			_c34662 _d34662