000			05694nam a22005178i 4500
001			BRILL9789004648692
003			nllekb
005			20260610105413.0
007			cr un uuuua
008			250606s1996 gw sb 001 0 eng d
020			_a9789004648692 _q(electronic book)
020			_z9789042001251 _q(print)
024	7		_a10.1163/9789004648692 _2DOI
035			_a(OCoLC)1521867381
040			_aNL-LeKB _cNL-LeKB _erda
041			_aeng
050		4	_aPQ151
072		7	_aJFC _2bicssc
072		7	_aSOC _x022000 _2bisacsh
072		7	_aSOC _x026000 _2bisacsh
082	0	4	_a841.109 _223
245	0	4	_aThe Medieval Opus: Imitation, Rewriting and Transmission in the French Tradition : _bProceedings of the Colloquium The Institute for Research in the Humanities 5-7 October 1995 The University of Wisconsin-Madison / _cedited by Douglas Kelly.
246	3		_aProceedings of the Colloquium The Institute for Research in the Humanities 5-7 October 1995 The University of Wisconsin-Madison
264		1	_aLeiden ; _aBoston : _bBrill, _c1996.
264		4	_c©1996
300			_a1 online resource (444 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aFaux Titre ; _v116
490	1		_aLanguage and Linguistics - Book Archive pre-2000
504			_aIncludes bibliographical references and index.
505	0		_tFront Matter -- Preliminary Material / _rEditor: Douglas Kelly -- Preface / _rEditor: Douglas Kelly -- Introduction / _rDouglas Kelly -- Benoît de Sainte-Maure et l’uevre de Troie / _rEmmanuèle Baumgartner -- Traduire Saint Bernard: Quand la Parabole Devient Roman / _rMichel Zink -- Patrons and the Beginnings of Courtly Romance / _rC. Stephen Jaeger -- De la biographie au roman d’Alexandre: Alexandre de Paris et l’art de la conjointure / _rLaurence Harf-Lancner -- Ovide, texte, translateur et gloses dans les manuscrits de l’ Ovide moralisé / _rMarc-René Jung -- Inventing the Unknown: Rewriting in Le Bel Inconnu / _rDonald Maddox -- Configuring Alterity: Rewriting the Fairy Other / _rSara Sturm-Maddox -- Grosse Margot and Sotte Chanson : François Villon’s Art of Adaptation / _rJane H. M. Taylor -- Motif Transfer in Arthurian Romance / _rNorris J. Lacy -- Who Is to Be Believed? Conflicting Presentations of Events in the Lancelot-Grail Cycle / _rElspeth Kennedy -- Le Restor d’Alexandre dans Ysaÿe le Triste / _rMichelle Szkilnik -- La Fortune, le Moi et l’Œuvre: Remarques sur la Fonction Poétologique de Fortune au Moyen Age Tardif / _rFriedrich Wolfzettel -- Rewriting Chrétien’s Conte du graal — Mothers and Sons: Questions, Contradictions, and Connections / _rMatilda Tomaryn Bruckner -- The Presentation of Direct Discourse in Arthurian Romance: Changing Modes of Performance and Reception? / _rFrank Brandsma -- Gui de Mori’s Rewriting of Faux Semblant in the Tournai Roman de la Rose / _rLori Walters -- E potz seguir las rimas contrasemblantz : Imitators of the Master Troubadour Giraut de Bornelh / _rElizabeth W. Poe -- Flight from Authority in the Pastourelle / _rWilliam D. Paden -- From Epic to Romance: The Case of Lion de Bourges / _rWilliam W. Kibler -- Gilles de Chin in History, Literature, and Folklore / _rCharity Cannon Willard -- Rewriting Chansons de geste for a Middle High German public / _rAlois Wolf -- Rewriting the Roman de Renart : The Middle Dutch Beast Epic Van den vos Reynaerde / _rBart Besamusca -- Middle English Regenderings of Christine de Pizan / _rDhira B. Mahoney.
520			_aThe Medieval Opus is a broad but detailed study of the art of imitation as rewriting that was practiced in medieval French texts and in texts in other languages influenced by French models. It contains the proceedings of a symposium on this topic. The volume will be of interest to scholars and students of medieval French as well as other medieval literatures influenced by French models. The range of texts is broad: from epic to romance and from lyric to late medieval lyrico-narrative genres. The authors teach in a number of countries in Europe and North America, and they represent a variety of approaches, ages, and critical perspectives on medieval rewriting. Two major concepts inform the papers: the bridge work and the specimen text. The bridge work (Tony Hunt's term) refers here two works that have identifiable links to others and that, by those links, reveals something of the art of writing for both works. Specimen texts are works representative of the art of imitation illustrated by the bridge works. The proceedings move beyond the analysis of a general art of composition to investigate original rewriting in specific works that serve as specimen texts. The goal of the proceedings has been to appreciate originality within the framework of the medieval art of literary writing.
546			_aEnglish
588			_aDescription based on print version record.
650		0	_aFrench literature _yTo 1500 _vHistory and criticism _vCongresses.
650		0	_aImitation in literature _vCongresses.
650		0	_aLiterature, Medieval _xHistory and criticism _vCongresses.
700	1		_aKelly, Douglas, _eeditor.
776	0	8	_iPrint version: _tThe Medieval Opus: Imitation, Rewriting and Transmission in the French Tradition : Proceedings of the Colloquium The Institute for Research in the Humanities 5-7 October 1995 The University of Wisconsin-Madison. _dLeiden ; Boston : Brill, 1996. _z9789042001251 _w(OCoLC)59603391
830		0	_aFaux Titre ; _v116.
830		0	_aLanguage and Linguistics - Book Archive pre-2000.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004648692
999			_c34636 _d34636