| 000 | 05126cam a2200601Ii 4500 | ||
|---|---|---|---|
| 001 | BRILL9789401209199 | ||
| 003 | nllekb | ||
| 005 | 20260610105412.0 | ||
| 007 | cr un uuuua | ||
| 008 | 130604s2013 ne a sb 001 0 eng d | ||
| 010 | _a 2013474398 | ||
| 020 |
_a9789401209199 _q(electronic book) |
||
| 020 |
_z9789042036512 _q(print) |
||
| 024 | 7 |
_a10.1163/9789401209199 _2DOI |
|
| 035 | _a(OCoLC)839310863 | ||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
||
| 041 | 0 |
_aeng _ager |
|
| 043 | _ae-uk--- | ||
| 050 | 4 |
_aDA125.G4 _bG46 2013 |
|
| 072 | 7 |
_aHRA _2bicssc |
|
| 072 | 7 |
_aREL000000 _2bisacsh |
|
| 082 | 0 | 4 | _a941.00431 |
| 245 | 0 | 0 |
_aGerman-speaking exiles in the performing arts in Britain after 1933 / _cedited by Charmian Brinson and Richard Dove. |
| 264 | 1 |
_aAmsterdam ; _aNew York : _bRodopi, _c2013. |
|
| 300 |
_a1 online resource (xix, 300 pages) : _billustrations (black and white) |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _2rdacarrier |
||
| 490 | 1 |
_aThe yearbook of the Research Centre for German and Austrian Exile Studies, _x1388-3720 ; _vvol. 14 |
|
| 500 | _aPapers from a conference on 'German-speaking Exiles in the Performing Arts in Britain, ' held by the Research Centre for German and Austrian Exile Studies in London in September 2011. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tPreliminary Material -- _tThe Go-Between. Martin Miller’s Career in Broadcasting / _rCharmian Brinson -- _tIs there Life after Kurt und Willi? Bruno Adler’s anti-Soviet Radio Series Zwei Genossen / _rJennifer Taylor -- _t‘England but not mine.’ Großbritannien im journalistischen Schaffen von Edmund Wolf / _rUrsula Seeber and Barbara Weidle -- _tGerhard Hinze or Gerard Heinz? A Life in two Acts / _rRichard Dove -- _tLitz Pisk, Dance and Theatre / _rMarian Malet -- _t‘Möglichst nah am Original.’ Erich Fried, Poet, Translator and would-be Performer / _rManya Elrick -- _tMargarete Berger Hamerschlag and the Theatre. Vienna, Rome, London / _rAnna Nyburg -- _tVom Englischen ins Deutsche. Peter Zadeks Weg ins deutsche Theater / _rGünther Rühle -- _tLutz Weltmann, Theatre Critic and Cultural Mediator in the AJR Information / _rAnthony Grenville -- _tThe Choreographer Hilde Holger. Between Three Worlds / _rThomas Kampe -- _tKurt Jooss and Sigurd Leeder. Refugees, Battle and Aftermath / _rClare Lidbury -- _t‘Just part of my Continental charm.’ Anton Walbrooks Filmkarriere im britischen Exil / _rChristian Cargnelli -- _tA Lucky Man. Wolf Suschitzky – Photographer and Cameraman / _rBrigitte Mayr and Michael Omasta -- _t‘...den Menschen und den Sachen auf den Grund zu kommen.’ Zu Leben und Werk von Jens Brüning / _rWilfried Weinke -- _tContributors -- _tIndex. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aThis volume focuses on the contribution of German-speaking refugees from Nazism to the performing arts in Britain, evaluating their role in broadcasting, theatre, film and dance from 1933 to the present. It contains essays evaluating the role of refugee artists in the BBC German Service, including the actor Martin Miller, the writer Bruno Adler and the journalist Edmund Wolf. Miller also made a career in the English theatre transcending the barrier of language, as did the actor Gerhard Hinze, whose transition to the English stage is an instructive example of adaptation to a new theatre culture. In film, language problems were mitigated by the technical possibilities of the medium, although stars like Anton Walbrook received coaching in English. Certainly, technicians from Central Europe, like the cameraman Wolf Suschitzky, helped establish the character of British film in the 1950s and 1960s. In dance theatre, language played little role, facilitating the influence in Britain of dance practitioners like Kurt Jooss and Sigurd Leeder. Finally, evaluating the reverse influence of émigrés on Germany, two essays discuss Erich Fried’s translations of Shakespeare and Peter Zadek’s early theatre career in Germany. | ||
| 546 | _aIn English and German. | ||
| 648 | 7 |
_a1900-1999 _2fast |
|
| 650 | 0 |
_aEntertainers _zGreat Britain _xHistory _y20th century. |
|
| 650 | 0 |
_aGermans _zGreat Britain _xHistory _y20th century. |
|
| 650 | 0 |
_aExiles _zGreat Britain. |
|
| 650 | 7 |
_aEntertainers. _2fast |
|
| 650 | 7 |
_aExiles. _2fast |
|
| 650 | 7 |
_aGermans. _2fast |
|
| 651 | 7 |
_aGreat Britain. _2fast |
|
| 655 | 7 |
_aHistory. _2fast |
|
| 700 | 1 | _aBrinson, Charmian. | |
| 700 | 1 |
_aDove, Richard, _d1938- |
|
| 710 | 2 |
_aUniversity of London. _bResearch Centre for German and Austrian Exile Studies. |
|
| 776 | 0 | 8 |
_iPrint version: _tGerman-speaking Exiles in the Performing Arts in Britain after 1933 _dLeiden, Boston : Brill | Rodopi, 2013, _z9789042036512 |
| 830 | 0 |
_aYearbook of the Research Centre for German and Austrian Exile Studies _v14. |
|
| 830 | 0 | _aRodopi European History and Culture Special E-Book Collection, 2007-2014, ISBN: 9789004357976. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789401209199 |
|
| 999 |
_c34550 _d34550 |
||