000 03056nam a2200421 i 4500
001 BRILL9789004221031
003 nllekb
005 20260610105409.0
007 cr un uuuua
008 110411s2011 ne ab s 000 0 eng d
010 _a 2011015631
020 _a9789004221031
_q(electronic book)
020 _z9789004207493
_q(print)
024 7 _a10.1163/9789004221031
_2DOI
040 _aNL-LeKB
_cNL-LeKB
_erda
050 4 _aN5975
_b.C66 2011
072 7 _aHB
_2bicssc
072 7 _aHIS
_x000000
_2bisacsh
082 0 4 _a709.02
_222
245 0 0 _aConfronting the borders of medieval art /
_c[edited by] Jill Caskey, Adam S. Cohen, and Linda Safran.
264 1 _aLeiden, The Netherlands ;
_aBoston :
_bKoninklijke Brill,
_c2011.
300 _a1 online resource (x, 229 pages) :
_billustrations, mappages.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
505 0 0 _tPreliminary Material /
_rJill Caskey , Adam S. Cohen and Linda Safran --
_tArticles Jewish Art and Cultural Exchange: /
_rKatrin Kogman-Appel --
_tTowers, Birds and Divine Light:The Contested Territory of Nasrid and “Mudéjar” Ornament /
_rCynthia Robinson --
_tStuccoes from the Early Norman Period in Sicily: /
_rJill Caskey --
_tKhiḍr and the Changing Frontiers of the Medieval World /
_rEthel Sara Wolper --
_tLocating Armenia /
_rChristina Maranci --
_tThe Far Side: Expatriate Medieval Art and Its Languages in Sino-Mongol China /
_rJennifer Purtle --
_tWould There Have Been Gothic Art Without the Vikings? The Contribution of Scandinavian Medieval Art /
_rNancy L. Wicker.
506 _aAvailable to subscribing member institutions only.
520 _aThis volume approaches the problem of the canonical “center” by looking at art and architecture on the borders of the medieval world, from China to Armenia, Sweden, and Spain. Seven contributors engage three distinct yet related problems: margins, frontiers, and cross-cultural encounters. While not displaying a unified methodology or privileging specific theoretical constructs, the essays emphasize how strategies of representation articulated ownership and identity within contested arenas. What is contested is both medieval (the material evidence itself) and modern (the scholarly traditions in which the evidence has or has not been embedded). An introduction by the editors places the essays within historiographic and pedagogical frameworks. Contributors: J. Caskey, K. Kogman-Appel, C. Maranci, J. Purtle, C. Robinson, N. Wicker and E.S.Wolper.
650 0 _aArt, Medieval
_xHistoriography.
650 0 _aArt and history.
700 1 _aCaskey, Jill,
_d1964-
700 1 _aCohen, Adam S.
700 1 _aSafran, Linda.
776 0 8 _iPrint version:
_tConfronting the Borders of Medieval Art
_dLeiden, Boston : BRILL, 2011,
_z9789004207493
830 0 _aEuropean History and Culture E-Books Online, Collection 2012, ISBN: 9789004223257.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789004221031
999 _c34384
_d34384