000			03784nam a22005538i 4500
001			BRILL9789004516410
003			nllekb
005			20260610105408.0
007			cr un uuuua
008			220531s2022 ne sb 001 0 eng d
020			_a9789004516410 _q(electronic book)
020			_a9789004504257 _q(print)
024	7		_a10.1163/9789004516410 _2DOI
035			_a(OCoLC)1319088132
040			_aNL-LeKB _cNL-LeKB _erda
043			_aa-cc---
050		4	_aDS797.72.T352
072		7	_aHRKN5 _2bicssc
072		7	_aREL _x065000 _2bisacsh
082	0	4	_a299.511211095114 _223
100	1		_aNAQUIN, Susan, _eauthor.
245	1	0	_aGods of Mount Tai : _bFamiliarity and the Material Culture of North China, 1000-2000 / _cSusan NAQUIN.
246	3		_aFamiliarity and the Material Culture of North China, 1000-2000
264		1	_aLeiden ; _aBoston : _bBrill, _c2022.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
500			_aAt the intersection of art and religious history, Susan Naquin’s richly illustrated history presents a fresh method for studying Chinese gods and sacred places as it tells the full story of Mount Tai and the premier female deity of North China.
504			_aIncludes bibliographical references and index.
505	0		_aFront Matter -- What This Book Is About -- Mount Tai, 1008 -- The Jade Woman and the Eastern Peak, 1000–1350 -- Master of the Azure Clouds, 1350–1550 -- Beyond Mount Tai, 1400–1640 -- Toward Acceptance, 1400–1640 -- Investing in the Mountain, 1550–1630 -- A Pilgrimage Mountain, 1550–1640 -- Looking Like a Mount Tai Niangniang, Ming to Qing -- Prospering Under a New Dynasty, 1600–1900 -- A Place in the Empire, 1650–1900 -- At Home in North China, 1650–1900 -- The Bronze Ladies of Mount Tai, 1600–1900 -- Popularization through Pictures, 1800–1930 -- Changing Times for Mount Tai, 1900–2000 -- Appendices -- Endnotes -- Bibliography -- Acknowledgments -- Index.
520			_aAt the intersection of art and religious history, this work suggests a fresh method for studying Chinese gods and sacred places. Susan Naquin tells the full story of the transformations of the Lady of Mount Tai, North China’s most important female deity, and her mountain home. This generously illustrated visual history presents a rich array of overlooked statues, prints, murals, and paintings of gods that were discovered in museums, auctions, and extensive travel. By focusing on ordinary images, temples, and region-based materiality Naquin demonstrates how this flexibly gendered new god flourished while her male predecessor was neglected. Both suffered greatly during the last century, but Mount Tai continues to be a culturally significant monument and China’s most popular tourist mountain.
588			_aDescription based on print version record.
650		0	_aGods, Chinese.
650		0	_aReligion.
650		0	_aGods, Chinese _xHistory.
650		6	_aDieux chinois _xHistoire.
650		7	_aAntiquities. _2fast _0(OCoLC)fst00810745
650		7	_aGods, Chinese. _2fast _0(OCoLC)fst00944255
650		7	_aReligion. _2fast _0(OCoLC)fst01093763
651		0	_aTai Mountains (China) _xAntiquities.
651		0	_aTai Mountains (China) _xReligion _xHistory.
651		6	_aTai, Monts (Chine) _xReligion _xHistoire.
651		7	_aChina _zTai Mountains. _2fast _0(OCoLC)fst01246069
655		7	_aHistory. _2fast _0(OCoLC)fst01411628
776	0	8	_iPrint version: _tGods of Mount Tai : Familiarity and the Material Culture of North China, 1000-2000. _dLeiden ; Boston : Brill, 2022 _z9789004504257 _w(OCoLC)1308722527
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004516410
999			_c34316 _d34316