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001 BRILL9781848884953
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007 cr un uuuua
008 190426s2016 gw sb 001 0 eng d
020 _a9781848884953
_q(electronic book)
020 _z9789004370371
_q(print)
024 7 _a10.1163/9781848884953
_2DOI
035 _a(OCoLC)1096240459
040 _aNL-LeKB
_cNL-LeKB
_erda
050 4 _aBD21
072 7 _aJFC
_2bicssc
072 7 _aSOC
_x026000
_2bisacsh
072 7 _aSOC
_x022000
_2bisacsh
082 0 4 _a110
_223
245 1 0 _aAiring the Past: Inquiries into Digital Memories /
_cNuria Rodríguez Ortega, Fátima Díez-Platas, Seppo Kuivakari.
264 1 _aLeiden,
_aBoston :
_bBRILL,
_c2016.
300 _a1 online resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
490 0 _aInter-Disciplinary Press Literature & Cultural Studies Special E-Book Collection, 2009-2016, ISBN: 9789004400955
504 _aIncludes bibliographical references and index.
505 0 0 _tPreliminary Material /
_rNuria Rodríguez Ortega , Fátima Díez-Platas and Seppo Kuivakari --
_tSeeing the Unseen: The Politics and Privileges of Invisibility and Opacity in the Digital Archive /
_rRhiannon S. Bettivia --
_tRemembering Everything? Techno-Optimisms and Digital Debris /
_rChloé S. Georas --
_tMapping Testimonies: The Interview Archive ‘Forced Labor 1939-1945’ /
_rCord Pagenstecher --
_tThe Rise of Online Social Networks in Greece: The Case of Facebook /
_rEmmanouil Melissourgakis --
_tUrban Memory and Mobility: The Designing of a City Museum in Greece /
_rEleni Sideri --
_tUnsealing Simulation and the Allegories of Construction /
_rSeppo Kuivakari --
_tTracking and Sharing: Performance Art, Web and Documentation /
_rRiikka Niemelä --
_tPoetics of Memory: Invention and Discovery Using Metadata to Create Cultural Memories in Programmable Environments /
_rCarlos Henrique Rezende Falci --
_tStructuralist Content Design in the Multi-Touch Museum Environment /
_rJaroslav Vancat and Daniel Riha --
_tHow Can Knowledge Engineering (KE) Open New Interpretations in the Field of Art Theory? A Case Study Based on 16th and 17th Art-Theoretical Production /
_rNuria Rodríguez-Ortega and José Pino Díaz --
_tTeaching Ancient Egyptian Art Online: Experiences and Proposals from U.N.E.D., Spain /
_rInmaculada Vivas Sáinz.
520 _aThe articles comprised in this anthology are attempting to discuss the rapid change of digital media technologies and the way they impetus our understanding of history and memory. History should not be regarded only as an object of research. It is also a subject, performing and registering agency. The aim of the articles will not be to cover the whole range of mediated histories, but to claim fresh insights for debate and discovery in terms of digital memories. In this sense, contributions for this volume will leave the “doors of perception” (Aldous Huxley) wide open and sketch the impact of media to different cultural practices, identity work and preservation of history, as well as the examination of it. Likewise, divergence of the papers at hand indicates that the concept “digital” ought to be recognized as institutional practices, methodological tools, or as content providers for memories.
650 0 _aPhilosophy.
650 0 _aKnowledge, Theory of.
650 0 _aMetaphysics.
700 1 _aOrtega, Nuria Rodríguez,
_eeditor.
700 1 _aDíez-Platas, Fátima,
_eeditor.
700 1 _aKuivakari, Seppo,
_eeditor.
776 0 8 _iPrint version:
_tAiring the Past: Inquiries into Digital Memories
_dLeiden, Boston : BRILL, 2016,
_z9789004370371
830 0 _aInter-Disciplinary Press Literature & Cultural Studies Special E-Book Collection, 2009-2016, ISBN: 9789004400955.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9781848884953
999 _c33648
_d33648