000			03034nam a22004211i 4500
001			BRILL9789047418511
003			nllekb
005			20260610105356.0
007			cr un uuuua
008			200708s2006 ne sb 001 0 eng d
020			_a9789047418511 _q(electronic book)
020			_a9789004152977 _q(print)
024	7		_a10.1163/9789047418511 _2DOI
035			_z(OCoLC)69992717
040			_aNL-LeKB _cNL-LeKB _erda
050		4	_aNA5811.L4
072		7	_aHBJD _2bicssc
072		7	_aHIS _x010000 _2bisacsh
082	0	4	_a726.50946/21 _223
100	1		_aMartin, Therese, _eauthor.
245	1	0	_aQueen as King : _bPolitics and Architectural Propaganda in Twelfth-Century Spain / _cTherese Martin.
246	3		_aPolitics and Architectural Propaganda in Twelfth-Century Spain
264		1	_aLeiden; _aBoston : _bBRILL, _c2006.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aThe Medieval and Early Modern Iberian World ; _v30
505	0		_aPreliminary Material -- From Patron to Harlot: How Did Queen Urraca Get Here from There? -- The Establishment of San Isidoro as a Palatine Chapel: Fernando I (d. 1065) and Sancha (d. 1067) -- The Power of the King's Sister: The Infanta Urraca (d. 1101) and Alfonso VI (d. 1109) -- Dynastic Propaganda in a Queen's Patronage at San Isidoro: Urraca of León-Castilla (reigned 1109-1126) -- The Painted Cycle of the Pantheon, c. 1109 -- The Infanta Sancha (d. 1159), Alfonso VII (d. 1157), and Construction of the Monastic Complex -- Queen as King: Urraca of León-Castilla (d. 1126), Matilda of England (d. 1167), and Melisende of Jerusalem (d. 1161) -- Capitals of the Church of San Isidoro -- Mason's Marks -- Bibliography -- Index -- List of Illustrations -- Illustrations.
520			_aQueen as King traces the origins of San Isidoro in León as a royal monastic complex, following its progress as the site changed from a small eleventh-century palatine chapel housed in a double monastery to a great twelfth-century pilgrimage church served by Augustinian canons. Its most groundbreaking contribution to the history of art is the recovery of the lost patronage of Queen Urraca (reigned 1109-1126). Urraca maintained yet subverted her family's tradition of patronage on the site: to understand her history is to hold the key to the art and architecture of San Isidoro. This new approach to San Isidoro and its patronage allows a major Romanesque monument to be understood more fully than before.
588			_aDescription based on print version record.
650		0	_aArchitecture _xPolitical aspects.
650		0	_aArchitecture, Romanesque.
776	0	8	_iPrint version: _tQueen as King : Politics and Architectural Propaganda in Twelfth-Century Spain, _dLeiden ; Boston : BRILL, 2006 _z9789004152977
830		0	_aThe Medieval and Early Modern Iberian World ; _v30.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789047418511
999			_c33601 _d33601