000			03750nam a2200529 i 4500
001			BRILL9789004231184
003			nllekb
005			20260610105344.0
007			cr un uuuua
008			120905s2012 ne sb 001 0 eng d
020			_a9789004231184 _q(electronic book)
020			_z9789004227026 _q(print)
024	7		_a10.1163/9789004231184 _2DOI
035			_a(OCoLC)809212839
040			_aNL-LeKB _cNL-LeKB _erda
050		4	_aPN53 _b.P537 2012eb
072		7	_aART _x060000 _2bisacsh
072		7	_aART _x025000 _2bisacsh
072		7	_aDSA _2bicssc
072		7	_aLIT _x006000 _2bisacsh
082	0	4	_a700.1 _223
100	1		_aPlett, Heinrich F.
245	1	0	_aEnargeia in classical antiquity and the early modern age : _bthe aesthetics of evidence / _cby Heinrich F. Plett.
264		1	_aLeiden ; _aBoston : _bBrill, _c2012.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aInternational studies in the history of rhetoric, _x1865-1148 ; _vv. 4
504			_aIncludes bibliographical references and index.
505	0	0	_aPreliminary Material -- Introduction -- Prologue -- I Classical Sources and Their Humanist Reception -- II Enargeia in Humanist Writings and Its Theoretical Foundation -- III Shakespeare and Enargeia (A) -- IV Ekphraseis of Places and Pictures -- V Enargetic Representations of Persons -- VI The Poetics of Ekphrasis and Enargeia -- VII Enargeia in Teichoscopy and Messenger’s Report -- VIII Shakespeare and Enargeia (B) -- IX Enargeia in Operatic Libretti -- X Enargeia in Mnemonics and Meditation -- XI Enargeia and the Visual Arts -- XII Ut Pictura Poesis -- XIII Enargeia and Perspective -- XIV Shakespeare and Enargeia (C) -- XV Enargeia in Theory and Practice of the Visual and Verbal Arts -- XVI The Enargeia of Music in Theory and Practice -- Epilogue -- Bibliography: ‘Enargeia’ and Related Terms -- Index of Names -- Index of Subjects.
506			_aAvailable to subscribing member institutions only.
520			_aThe present study provides an extensive treatment of the topic of enargeia on the basis of the classical and humanist sources of its theoretical foundation. These serve as the basis for detailed analyses of verbal and pictorial works of the Classical Antiquity and the Early Modern Age. Their theoretical basis is the tradition of classical rhetoric with its principal representatives (Aristotle, Cicero, Quintilian) and their reception history. The ‘enargetic’ approach to the arts may be described as rhetoric of presence and display, or aesthetics of evidence and imagination. Visual imagination plays a major role in the concepts of effect in oratory, poetry, and drama of the Classical Antiquity and the Early Modern Age. Its implementations are manifested in the Second Sophistic and in the Early Modern Age, there above all in the works of William Shakespeare.
588			_aDescription based on print version record.
650		0	_aArt and literature.
650		0	_aUt pictura poesis (Aesthetics)
650		0	_aGreek literature _xInfluence.
650		0	_aLatin literature _xInfluence.
650		0	_aRhetoric, Ancient.
650		7	_aART / Performance _2bisacsh
650		7	_aART / Reference _2bisacsh
776	0	8	_iPrint version: _aPlett, Heinrich F. _tEnargeia in classical antiquity and the early modern age. _dLeiden ; Boston : Brill, 2012 _z9789004227026 _w(DLC) 2012016830 _w(OCoLC)782999871
830		0	_aInternational Studies in the History of Rhetoric _v4.
830		0	_aClassical Studies E-Books Online, Collection 2012, ISBN: 9789004223240.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004231184
999			_c32884 _d32884