000 03822nam a22004818i 4500
001 BRILL9789004664784
003 nllekb
005 20260610105336.0
007 cr un uuuua
008 230413s1997 gw sb 001 0 eng d
020 _a9789004664784
_q(electronic book)
020 _a9789042001879
_q(print)
024 7 _a10.1163/9789004664784
_2DOI
035 _a(OCoLC)1319411828
040 _aNL-LeKB
_cNL-LeKB
_erda
041 _aeng
050 4 _aTR642
072 7 _aABA
_2bicssc
072 7 _aART
_x009000
_2bisacsh
072 7 _aPHI
_x001000
_2bisacsh
082 0 4 _a770.1
_223
245 1 4 _aThe Photographic Paradigm /
_cvolume edited by Annette W. Balkema and Henk Slager.
264 1 _aLeiden ;
_aBoston :
_bBrill,
_c1997.
264 4 _c©1997
300 _a1 online resource (192 pages) :
_billustrations.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
490 1 _aLier & Boog ;
_v12
504 _aIncludes bibliographical references and index.
505 0 _tAnnette W. BALKEMA and Henk SLAGER: Prologue. Christian BOLTANSKI: The Passage of Time. Benjamin H.D. BUCHLOH: The Politics of Representation. Jean-François CHEVRIER: The museum: A Permanent Crisis. Douglas CRIMP: Reconsidering Barcelona. Jos de MUL: The virtualization of the world view: The end of photography and the return of the aura. Mirjam de ZEEUW: Investigation into Strategies of Thought. Rineke DIJKSTRA: Intensity and Concentration. Michael GIBBS: Fugitive Photography. Rodney GRAHAM: The way I use photography. Gerald van der KAAP: The Ed van der Elsken Turn. Karen KNORR: Photography's Shadow. Zoe LEONARD: Photographic Responses. Ken LUM: Contemporary Contemplation. Hermann PITZ: Ocular Investigations. Liza MAY: Post Mental Slides. John ROBERTS: The crisis of critical postmodernism. REVIEW Allan Sekula and the metaphysics of concepts. Andres SERRANO: Idiosyncratic Iconography. Jan SIMONS: Photo, Trauma; The eye and the mind. Beat STREULI: Potential Possibilities. Johan M. SWINNEN: Searching for a historical infrastructure. Renée van de VALL: Images of the past. An installation by Christian Boltanski. Hilde van GELDER: Photography: from Modus to Picture. Hripsimé VISSER: The magic of realism. Jeff WALL: Transformational Aesthetics. Ian WALLACE: Notes for a Talk. Herta WOLF: Archeological Consciousness. Annette W. BALKEMA and Henk SLAGER: Epilogue.
520 _aThis issue investigates the meaning of photographic image for contemporary art. In Malraux' dream, photography offers the ultimate guarantee for a coherent presentation of art. However, as Douglas Crimp has stated, the appearance and enhancement of photography as a form of art among other art forms disrupted the center of the art world. What does this mean for art and philosophy in our time? Various artists and theorists will delve into that question: Christian Boltanski, Benjamin H.D. Buchloh, Jean-François Chevrier, Douglas Crimp, Jos de Mul, Mirjam de Zeeuw, Rineke Dijkstra, Michael Gibbs, Rodney Graham, Gerald van der Kaap, Karen Knorr, Zoe Leonard, Ken Lum, Hermann Pitz, Liza-May Post, John Roberts, Allan Sekula, Andres Serrano, Jan Simons, Beat Streuli, John M. Swinnen, Renée van de Vall, Hilde van Gelder, Hripsimé Visser, Jeff Wall, Ian Wallace and Herta Wolf. .
546 _aEnglish
588 _aDescription based on print version record.
650 0 _aArt and photography.
650 0 _aPhotographie.
700 1 _aBalkema, Annette W.,
_eeditor.
700 1 _aSlager, Henk,
_eeditor.
776 0 8 _iPrint version:
_tThe Photographic Paradigm.
_dLeiden ; Boston : Brill, 1997.
_z9789042001879
_w(OCoLC)37757844
830 0 _aLier & Boog ;
_v12.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789004664784
999 _c32419
_d32419