000 03616nam a2200577 i 4500
001 BRILL9789004296787
003 nllekb
005 20260610105332.0
007 cr un uuuua
008 150427s2015 ne sb 001 0 eng d
010 _a 2015011594
020 _a9789004296787
_q(electronic book)
020 _z9789004292192
_q(print)
024 7 _a10.1163/9789004296787
_2DOI
035 _a(OCoLC)907206470
040 _aNL-LeKB
_cNL-LeKB
_erda
043 _ae-it---
050 4 _aNB623.C3
_bA73 2015
072 7 _aNB
_2lcco
072 7 _aHB
_2bicssc
072 7 _aHIS000000
_2bisacsh
082 0 4 _a730.92
_223
100 1 _aCorretti, Christine.
245 1 0 _aCellini's Perseus and Medusa and the Loggia dei Lanzi :
_bconfigurations of the body of state /
_cby Christine Corretti.
264 1 _aLeiden ;
_aBoston :
_bBrill,
_c[2015]
300 _a1 online resource (xvii, 174 pages) :
_billustrations.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
490 1 _aArt and material culture in Medieval and Renaissance Europe,
_x2212-4187 ;
_vv. 4
504 _aIncludes bibliographical references (p. 157-172) and index.
505 0 0 _aPreliminary Material -- 1 The Story of Perseus and Medusa, an Interpretation of Its Meaning, and the Topos of Decapitation -- 2 Cellini’s Perseus and Medusa: The Paradigm of Control -- 3 Renaissance Political Theory and Paradoxes of Power -- 4 The Goddess as Other and Same -- 5 The Sexual Symbolism of the Perseus and Medusa  -- 6 The Public Face of Justice -- 7 Classical and Grotesque Polities -- 8 Eleonora di Toledo and the Image of the Mother Goddess -- Conclusion -- Bibliography -- Index.
506 _aAvailable to subscribing member institutions only.
520 _aBenvenuto Cellini’s Perseus and Medusa , one of Renaissance Italy’s most complex sculptures, is the subject of this study, which proposes that the statue’s androgynous appearance is paradoxical. Symbolizing the male ruler overcoming a female adversary, the Perseus legitimizes patriarchal power; but the physical similarity between Cellini’s characters suggests the hero rose through female agency. Dr. Corretti argues that although not a surrogate for powerful Medici women, Cellini’s Medusa may have reminded viewers that Cosimo I de’ Medici’s power stemmed in part from maternal influence. Drawing upon a vast body of art and literature, Dr. Corretti concludes that Cellini and his contemporaries knew the Gorgon as a version of the Earth Mother, whose image is found in art for Medici women.
600 1 0 _aCellini, Benvenuto,
_d1500-1571.
_tPerseus.
600 1 7 _aCellini, Benvenuto,
_d1500-1571.
_2fast
630 0 7 _aPerseus (Cellini, Benvenuto)
_2fast
648 7 _a1421 - 1737
_2fast
650 0 _aGorgons (Greek mythology) in art.
650 7 _aArt
_xPolitical aspects.
_2fast
650 7 _aGorgons (Greek mythology) in art.
_2fast
650 7 _aPolitics and government.
_2fast
651 0 _aFlorence (Italy)
_xPolitics and government
_y1421-1737.
651 7 _aItaly
_zFlorence.
_2fast
655 7 _aCriticism, interpretation, etc.
_2fast
776 0 8 _iPrint version:
_tCellini's Perseus and Medusa and the Loggia dei Lanzi: Configurations of the Body of State
_dLeiden, Boston : BRILL, 2015,
_z9789004292192
830 0 _aArt and Material Culture in Medieval and Renaissance Europe
_v4.
830 0 _aEuropean History and Culture E-Books Online, Collection 2015-I, ISBN: 9789004287419.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789004296787
999 _c32179
_d32179