| 000 | 03499nam a2200457 i 4500 | ||
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| 001 | BRILL9789047424260 | ||
| 003 | nllekb | ||
| 005 | 20260610105331.0 | ||
| 007 | cr un uuuua | ||
| 008 | 081106s2009 ne sb 001 0 eng | ||
| 010 | _a 2008048769 | ||
| 016 | 7 |
_aB0905130 _2bccb |
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| 020 |
_a9789047424260 _q(electronic book) |
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| 020 |
_z9789004170957 _q(print) |
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| 024 | 7 |
_a10.1163/ej.9789004170957.i-316 _2DOI |
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| 035 | _a(OCoLC)270131717 | ||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 043 | _aa-cc--- | ||
| 050 | 4 |
_aPL2442 _b.B88 2009 |
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| 082 | 0 | 4 |
_a895.1/3520912 _222 |
| 100 | 1 |
_aButton, Peter, _d1960- |
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| 245 | 1 | 0 |
_aConfigurations of the real in Chinese literary and aesthetic modernity / _cby Peter Button. |
| 264 | 1 |
_aLeiden ; _aBoston : _bBrill, _c2009. |
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| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 0 | _aBrill eBook titles 2009 | |
| 504 | _aIncludes bibliographical references (p. [289]-299) and index. | ||
| 505 | 0 | 0 |
_tPreliminary Material / _rBan Wang , Wang Hui and Geremie Barmé -- _tIntroduction / _rBan Wang , Wang Hui and Geremie Barmé -- _tChapter One. The Trials Of Chinese Literary Realism / _rBan Wang , Wang Hui and Geremie Barmé -- _tChapter Two. Lu Xun’S Ah Gas \'Gruesome Hybrid\' / _rBan Wang , Wang Hui and Geremie Barmé -- _tChapter Three. The Aesthetic Critique Of Modernity In Chinese Marxism, New Criticism, And Adorno / _rBan Wang , Wang Hui and Geremie Barmé -- _tChapter Four. Global/Modern Figurations Of The Type In Cai Yi, Heidegger, And Whitman / _rBan Wang , Wang Hui and Geremie Barmé -- _tChapter Five. Aesthetics And Desire In Yang Mo’S Song Of Youth / _rBan Wang , Wang Hui and Geremie Barmé -- _tConclusion. Exemplarity In Luo Guangbin And Yang Yiyan’S Hongyan: From White Terror To \'Red Classic\' / _rBan Wang , Wang Hui and Geremie Barmé -- _tGlossary Of Chinese Terms / _rBan Wang , Wang Hui and Geremie Barmé -- _tBibliography / _rBan Wang , Wang Hui and Geremie Barmé -- _tIndex / _rBan Wang , Wang Hui and Geremie Barmé. |
| 506 | 1 | _aAvailable to subscribing member institutions only. | |
| 520 | _aThe emergence of the Chinese socialist realist novel can best be understood in light of the half-century long formation of the modern concept of literature in China. Globalized in the wake of modern capitalism, literary modernity configures the literary text in a relationship to both modern philosophy and literary theory. This book traces China's unique, complex, and creative articulation of literary modernity beginning with Lu Xun's “The True Story of Ah Q.” Cai Yi's aesthetic theory of the type ( dianxing ) and the image ( xingxiang ) is then explored in relation to global currents in literary thought and philosophy, making possible a fundamental rethinking of Chinese socialist realist novels like Yang Mo's Song of Youth and Luo Guangbin and Yan Yiyan's Red Crag . | ||
| 650 | 0 |
_aChinese fiction _y20th century _xHistory and criticism. |
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| 650 | 0 | _aSocialist realism in literature. | |
| 776 | 0 |
_tConfigurations of the real in Chinese literary and aesthetic modernity _z9789004170957 (alk. paper) _z9004170952 (alk. paper) |
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| 830 | 0 |
_aIdeas, History, and Modern China _v1. |
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| 830 | 0 | _aAsian Studies E-Books Online, Collection 2009, ISBN: 9789004215313. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/ej.9789004170957.i-316 |
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| 994 |
_aC0 _bNEIDC |
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| 999 |
_c32142 _d32142 |
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