| 000 | 05141nam a22004818i 4500 | ||
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| 001 | BRILL9789004760318 | ||
| 003 | nllekb | ||
| 005 | 20260610105317.0 | ||
| 007 | cr un uuuua | ||
| 008 | 260212s2026 gw sb 001 0 eng d | ||
| 020 |
_a9789004760318 _q(electronic book) |
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| 020 |
_z9789004417748 _q(print) |
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| 024 | 7 |
_a10.1163/9789004760318 _2DOI |
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| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 041 | _aeng | ||
| 050 | 4 | _aN5305 | |
| 072 | 7 |
_aHIS _x000000 _2bisacsh |
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| 072 | 7 |
_aHB _2bicssc |
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| 082 | 0 | 4 |
_a709 _223 |
| 245 | 1 | 0 |
_aBeyond Famagusta: Cultural Memory and Historical Imagination / _cMichael J. K. Walsh. |
| 264 | 1 |
_aLeiden ; _aBoston : _bBRILL, _c2026. |
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| 264 | 4 | _c©2026 | |
| 300 |
_a1 online resource (400 pages) : _billustrations. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 1 |
_aArt and Material Culture in Medieval and Renaissance Europe ; _v30 |
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| 490 | 1 | _aLate Antiquity and Medieval Studies E-Books Online, Collection 2026 | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _tAcknowledgements -- List of Figures -- Introduction: 1571—Aftermath and Aftermyth -- 1 Research in a Digital Age -- 2 A Famagusta Diary: Keeping a Human-in-the-Loop -- 3 Famagusta before the Siege: a Backwards Glance -- 4 Telling, Re-telling and Inventing Famagusta’s Story -- 1 Re-writing Famagusta: Myths, Martyrs, and Monarchs -- 1 Case Study: Marcantonio Bragadin -- 2 Case Study: Caterina Cornaro -- 3 Case Study: Richard the Lionheart -- 4 Case Study Four: a Seaport in Cyprus -- 5 Some Concluding Comments -- 2 Famagusta and Imperial Imaginations: Scholars, Artists, and Writers -- 1 A City of Scholars, a “mission civilisatrice”, and the “poétique des ruines” -- 2 Famagusta and the British Imagination -- 3 Famagusta’s Exiles and Artists -- 1 Kartirchi Janni (Kattirdji Yanni / Katırcı Yanni) -- 2 Mîrzâ Yahya Noûri Soubh-i-Ezèl (Subh-i-Ezel) -- 3 Namık Kemal -- 4 George Polyviou Georghiou -- 5 William Dreghorn -- 6 Concluding Thoughts -- 4 Framing Famagusta: Photographs and Photographers -- 1 Introduction -- 2 Glimpses of Ottoman Famagusta -- 3 John Thomson -- 4 Camille Enlart in British Famagusta -- 5 Theophilus Mogabgab MBE -- 6 Paul Kohl -- 7 Concluding Thoughts -- 5 Filming Famagusta -- 1 Exodus : When Hollywood Came to Famagusta -- 2 Famagusta and Documentary Film -- 3 Famagusta, Cultural Heritage and a New Era for Documentary Film -- 4 The Stones of Famagusta -- 5 Against the Clock: Saving the Endangered Heritage of Famagusta -- 6 The Forty: Saving the Forgotten Frescoes of Famagusta -- 7 Prayers Long Silent: the Armenian Church of Famagusta -- 8 Film as Research -- 9 Film as Heritage -- 6 Famagusta’s Hidden Heritage: Out of Sight and into Silence -- 1 The Bare Walls of St. Nicholas Cathedral, Its Decorated Side Chapels and Sacristy -- 2 Famagusta’s Underground Churches -- 3 Other Bits and Pieces -- 4 Recovering Historic Sound and Silence -- 7 Famagusta, the Digital Imagination and Memory Editing -- 1 Famagusta’s Cultural Heritage in a Digital Context -- Conclusion: Culture, History, Imagination, and rapprochement -- Bibliography -- Index. | |
| 520 | _aFamagusta has witnessed the rise and fall of empires and dynasties which have left in their wake a rich storytelling legacy. This was a city of extremes, and so while there was certainly political influence, artistic creativity, wealth and piety, there was simultaneously fear, corruption, treachery and war. After the great siege of 1571, Shakespeare strategically situated Othello in this martyred ‘seaport in Cyprus’, while operas and ballets about the triumph and tragedy of Medieval, Renaissance and Ottoman Famagusta created a European fantasy of an imagined past. Centuries later, while exiles languished in the open prison of abandoned Famagusta, French and British scholars got to work re-creating sympathetic national historical narratives and imperialists imagined and planned for alternative futures. Early photographers revelled in the desolate calm of the 19th century, film-makers documented Famagusta’s turbulent 2th century, and today digital modellers contemplate ingenious ways to re-tell the story of its majestic monuments. This book examines the complex cultural memory and historical imagination associated with the ever-enigmatic, and timeless, Famagusta. | ||
| 546 | _aEnglish | ||
| 588 | _aDescription based on print version record. | ||
| 650 | 0 | 0 | _aArt History. |
| 650 | 0 | 0 | _aLiterature and Cultural Studies. |
| 650 | 0 | 0 | _aCultural History. |
| 100 | 1 |
_aWalsh, Michael J. K., _eauthor. |
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| 776 | 0 | 8 |
_iPrint version: _tBeyond Famagusta: Cultural Memory and Historical Imagination. _z9789004417748 _w(OCoLC)1564575376 |
| 830 | 0 |
_aArt and Material Culture in Medieval and Renaissance Europe ; _v30. |
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| 830 | 0 | _aLate Antiquity and Medieval Studies E-Books Online, Collection 2026. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004760318 |
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_c31330 _d31330 |
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