| 000 | 03475nam a2200517 i 4500 | ||
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| 001 | BRILL9789004341500 | ||
| 003 | nllekb | ||
| 005 | 20260610105313.0 | ||
| 007 | cr un uuuua | ||
| 008 | 171011s2017 ne sb 001 0 eng d | ||
| 010 | _a 2017048893 | ||
| 020 |
_a9789004341500 _q(electronic book) |
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| 020 |
_z9789004341494 _q(print) |
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| 024 | 7 |
_a10.1163/9789004341500 _2DOI |
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| 035 |
_a 2017048893 _6ORIG |
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| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 043 | _ancho--- | ||
| 050 | 4 | _aF1505.3.P6 | |
| 072 | 7 |
_aHBJK _2bicssc |
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| 072 | 7 |
_aHIS036000 _2bisacsh |
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| 082 | 0 | 4 |
_a972.83/01 _223 |
| 100 | 1 |
_aJoyce, Rosemary A., _d1956- |
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| 245 | 1 | 0 |
_aPainted pottery of Honduras : _bobject lives and itineraries / _cby Rosemary A. Joyce. |
| 264 | 1 |
_aLeiden ; _aBoston : _bBrill, _c2017. |
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| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 0 |
_aThe early Americas: history and culture, _x1875-3264 ; _vv. 6 |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tIntroduction / _rRosemary A. Joyce -- _tUsing Pots / _rRosemary A. Joyce -- _tForming Intentions / _rRosemary A. Joyce -- _tFeasting Families / _rRosemary A. Joyce -- _tTelling Stories / _rRosemary A. Joyce -- _tHonoring Ancestors / _rRosemary A. Joyce -- _tBurying Pots / _rRosemary A. Joyce -- _tUnderstanding Fragments / _rRosemary A. Joyce -- _tCollecting Pots / _rRosemary A. Joyce -- _tMaking Time / _rRosemary A. Joyce -- _tFinding Places / _rRosemary A. Joyce -- _tTracing Boundaries / _rRosemary A. Joyce -- _tPicturing Meaning / _rRosemary A. Joyce -- _tEpilogue / _rRosemary A. Joyce -- _tAfterword / _rRosemary A. Joyce. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aIn Painted Pottery of Honduras Rosemary Joyce describes the development of the Ulua Polychrome tradition in Honduras from the fifth to sixteenth centuries AD, and critically examines archaeological research on these objects that began in the nineteenth century. Previously treated as a marginal product of Classic Maya society, this study shows that Ulua Polychromes are products of the ritual and social life of indigenous societies composed of wealthy farmers engaged in long-distance relationships extending from Costa Rica to Mexico. Drawing on concepts of agency, practice, and intention, Rosemary Joyce takes a potter's perspective and develops a generational workshop model for innovation by communities of practice who made and used painted pottery in serving meals and locally meaningful ritual practices. | ||
| 588 | _aDescription based on print version record and CIP data provided by publisher; resource not viewed. | ||
| 650 | 0 |
_aIndian pottery _zHonduras. |
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| 650 | 0 |
_aIndians of Central America _zHonduras _xAntiquities. |
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| 650 | 0 |
_aIndians of Central America _zHonduras _xSocial life and customs. |
|
| 650 | 0 |
_aMaterial culture _zHonduras _xHistory _yTo 1500. |
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| 650 | 0 |
_aPainted pottery _zHonduras. |
|
| 651 | 0 |
_aHonduras _xAntiquities. |
|
| 776 | 0 | 8 |
_iPrint version: _aJoyce, Rosemary A., 1956- author. _tPainted pottery of Honduras _dLeiden ; Boston : Brill, 2017 _z9789004341494 _w(DLC) 2017032433 |
| 830 | 0 |
_aThe Early Americas: History and Culture _v6. |
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| 830 | 0 | _aEuropean History and Culture E-Books Online, Collection 2017-II, ISBN: 9789004328013. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004341500 |
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| 999 |
_c31057 _d31057 |
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