000			05027nam a22005178i 4500
001			BRILL9789004694651
003			nllekb
005			20260610105304.0
007			cr un uuuua
008			241129s2025 gw sb 001 0 eng d
010			_a 2024033600
020			_a9789004694651 _q(electronic book)
020			_z9789004694644 _q(print)
024	7		_a10.1163/9789004694651 _2DOI
035			_a(OCoLC)1453075809
040			_aNL-LeKB _cNL-LeKB _erda
041			_aeng
050		4	_aN7763.H47
072		7	_aACN _2bicssc
072		7	_aART _x015000 _2bisacsh
072		7	_aART _x015030 _2bisacsh
082	0	4	_a704.9/47 _223
100	1		_aEnenkel, Karl, _eauthor.
245	1	0	_aTheatre of Sexual Attraction and Psychological Destruction : _bThe Myth of Hercules and Omphale in the Visual Arts, 1500–1800 / _cKarl Enenkel.
246	3		_aThe Myth of Hercules and Omphale in the Visual Arts, 1500–1800
264		1	_aLeiden ; _aBoston : _bBrill, _c2025.
264		4	_c©2025
300			_a1 online resource (528 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aEarly Modern History and Modern History E-Books Online, Collection 2024
490	1		_aIntersections ; _v91
504			_aIncludes bibliographical references and index.
505	0		_tFront Matter -- Preliminary Material / _rKarl A.E. Enenkel -- Chapter 2 Hercules and Omphale: the Myth in the Literary Tradition of Greek and Roman Antiquity and of the Middle Ages / _rKarl A.E. Enenkel -- Chapter 3 Boccaccio’s De mulieribus claris : Psychopathology of Love, Hercules’s furor and Yole’s Strategy of Cunning / _rKarl A.E. Enenkel -- Chapter 4 A Bestseller of the Cranach Factory: Hercules furens as Didactic Tragicomedy of “Weiberlist” (Women’s guile) and “Weibermacht” (Women’s Power) / _rKarl A.E. Enenkel -- Chapter 5A Women’s Guile in Manuscript Illuminations of De mulieribus claris and 16th-Century Representations of the Myth / _rKarl A.E. Enenkel -- Chapter 5B The Myth as Allegorical Court Satire on the Bad Ruler: Dosso Dossi (ca. 1535–1537) / _rKarl A.E. Enenkel -- Chapter 6 Erotic Farce: Bartholomeus Spranger’s Invention of the Myth as Brothel Scene (ca. 1585–1600) / _rKarl A.E. Enenkel -- Chapter 7 The Invention of the Myth as Multimedia Entertainment: Gillis Coignet (1590–1599) / _rKarl A.E. Enenkel -- Chapter 8 Hercules furens as Tragedy and as Comedy: Alessandro Turchi’s Pendant Paintings in the Alte Pinakothek (ca. 1620) / _rKarl A.E. Enenkel -- Chapter 9 Comedy and Courtly Decorum: Adaptations and Transformations of Spranger’s Brothel Scene, 1600–1800 / _rKarl A.E. Enenkel -- Chapter 10 How Low Can Hercules Go? – the Development of Spranger’s Brothel Scene as Vulgar Farce in the 17th and 18th Centuries / _rKarl A.E. Enenkel -- Chapter 11 Music and Madness, Furor and Frenzy: Staging the Myth as Bacchus Feast and Sacred Marriage (Statius, Ovid’s Fasti ) / _rKarl A.E. Enenkel -- Chapter 12 Hercules’s Perturbatio mentis and Female Emotions of the Male Hero / _rKarl A.E. Enenkel -- Chapter 13 Iole’s/Omphale’s Triumph or ‘omnia vincit amor’ – the Compound of Triumphant Emotions / _rKarl A.E. Enenkel -- Chapter 14 The Humiliation of the Male: Slapstick Humour, Physical Violence / _rKarl A.E. Enenkel -- Chapter 15 Omphale as a Moral Example of Chastity and Template for a Female Political Leader? – Simon Vouet’s Comedy and Tragedy of Love / _rKarl A.E. Enenkel -- Chapter 16 Sincere Love or Feigned Love? The Art of Creating Ambiguous Emotional Compounds and Erotic Tension / _rKarl A.E. Enenkel -- Chapter 17 From Feigned Love to Performative Erotic Techniques: Nude Dance, Dress-Dropping, Erotic Motion, Striptease / _rKarl A.E. Enenkel -- Chapter 18 Conclusion / _rKarl A.E. Enenkel -- Back Matter -- Bibliography / _rKarl A.E. Enenkel.
520			_aThe book examines the myth of Hercules and Omphale/Iole which became an important topic in the visual arts, 1500–1800. It offers an analysis of the iconography from the perspective of the history of emotions, classical and Neo-Latin philology, reception and gender studies. The early modern inventions of the myth excel in a skilful display of mixed and compound emotions, such as the male character's psychopathology, and of the theatrical performance of emotions by the female character.
546			_aEnglish
588			_aDescription based on print version record.
650		0	_aArt, European _xThemes, motives.
650		0	_aEmotions in art.
776	0	8	_iPrint version: _tTheatre of Sexual Attraction and Psychological Destruction : The Myth of Hercules and Omphale in the Visual Arts, 1500–1800. _dLeiden ; Boston : Brill, 2025. _z9789004694644 _w(OCoLC)1452966320 _w(DLC) 2024033599
830		0	_aEarly Modern History and Modern History E-Books Online, Collection 2024.
830		0	_aIntersections ; _v91.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004694651
999			_c30567 _d30567