000			02184cam a2200385Ii 4500
001			BRILL9789004387881
003			nllekb
005			20260610105303.0
007			cr un uuuua
008			181023s2018 ne od eng d
020			_a9789004387881 _q(electronic book)
020			_z9789004387874 _q(print)
024	7		_a10.1163/9789004387881 _2DOI
040			_aNL-LeKB _cNL-LeKB _erda
050		4	_aPN1992.55 _b.A53 2018
072		7	_aAC _2bicssc
072		7	_aART015000 _2bisacsh
082	0	4	_a791.4501 _223
100	1		_aAdam Andrzejewski; Mateusz Salwa
245	0	0	_aLaw and TV Series.
264	3	1	_aLeiden, _aBoston: _bBrill, _c2018.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
505	0	0	_aFront Matter -- Copyright page -- Law and TV Series.
520			_aThe aim of this essay is to analyse TV series from the point of view of philosophical aesthetics. Aiming to show how philosophy may contribute to “seriality studies”, Andrzejewski and Salwa focus on seriality as a factor which defines the structure of TV series, their aesthetic properties, as well as their modes of reception. TV series have been studied within media theory and cultural studies for quite a long time, but they have been approached mainly in terms of their production, distribution, and consumption across various and changing social contexts. Following the agenda of philosophical aesthetics Andrzejewski and Salwa claim instead seriality implies a sort of normativity, id est that it is possible to indicate what features a television show has to have in order to be a serial show as well as the manner in which it should be watched if it is to be experienced as a serial work.
650		0	_aTelevision broadcasting _xPhilosophy and aesthetics.
650		0	_aTelevision programs _xPhilosophy and aesthetics.
650		0	_aLaw and art.
776	0	8	_iPrint version: _tLaw and TV Series _dLeiden, Boston : BRILL, 2018, _z9789004387874
830		0	_aBrill Research Perspectives.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004387881
999			_c30508 _d30508