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001			BRILL9789004301320
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005			20260610105300.0
007			cr un uuuua
008			161209s2017 ne sb 001 0 eng d
010			_a 2016056864
020			_a9789004301320 _q(electronic book)
020			_z9789004301313 _q(print)
024	7		_a10.1163/9789004301320 _2DOI
035			_a 2016056864 _6ORIG
040			_aNL-LeKB _cNL-LeKB _erda
043			_aa-cc---
050		4	_aPL2442
072		7	_aDSB _2bicssc
072		7	_aLIT000000 _2bisacsh
082	0	4	_a895.13/4809 _223
100	1		_aLiu, Qian, _d1985-
245	1	0	_aTranscultural lyricism : _btranslation, intertextuality, and the rise of emotion in modern Chinese love fiction, 1899-1925 / _cby Jane Qian Liu.
264		1	_aLeiden ; _aBoston : _bBrill, _c[2017]
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	0		_aChina studies, _x1570-1344 ; _v36
504			_aIncludes bibliographical references and index.
505	0	0	_aPreliminary Material -- Introduction: Translation and Intertextuality of Foreign Literatures in Early Twentieth-Century Chinese Love Fiction -- Pseudowriting and Creating Channels for the Expression of Emotion -- Creating Melodramatic Emotional Effects: Zhou Shoujuan’s Creative Translations of Short Stories on Love -- Transcultural Lyricism in Su Manshu’s Fictional Writing -- Finding the Right Medium for Emotional Expression: Intertextualizing Western Literary Texts in Yu Dafu’s Early Short Stories -- Conclusion: Writing about Emotion with Another’s Pen -- Bibliography -- Index.
506			_aAvailable to subscribing member institutions only.
520			_aIn Transcultural Lyricism: Translation, Intertextuality, and the Rise of Emotion in Modern Chinese Love Fiction, 1899–1925 , Jane Qian Liu examines the profound transformation of emotional expression in Chinese fiction between the years 1899 and 1925. While modern Chinese literature is known to have absorbed narrative modes of Western literatures, it also learned radically new ways to convey emotions. Drawn from an interdisciplinary mixture of literary, cultural and translation studies, Jane Qian Liu brings fresh insights into the study of intercultural literary interpretation and influence. She convincingly proves that Chinese writer-translators in early twentieth century were able to find new channels and modes to express emotional content through new combinations of traditional Chinese and Western techniques.
588			_aDescription based on print version record and CIP data provided by publisher; resource not viewed.
650		0	_aChinese fiction _y20th century _xHistory and criticism.
650		0	_aChinese fiction _xWestern influences.
650		0	_aTranslating and interpreting.
650		0	_aIntertextuality.
776	0	8	_iPrint version: _aLiu, Qian, 1985- author. _tTranscultural lyricism _dLeiden ; Boston : Brill, [2017] _z9789004301313 _w(DLC) 2016045151
830		0	_aChina Studies _v36.
830		0	_aAsian Studies E-Books Online, Collection 2017, ISBN: 9789004327870.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004301320
999			_c30343 _d30343