| 000 | 02905cam a2200517Ii 4500 | ||
|---|---|---|---|
| 001 | BRILL9789401200264 | ||
| 003 | nllekb | ||
| 005 | 20260610105255.0 | ||
| 007 | cr un uuuua | ||
| 008 | 110706s2011 ne a sb 000 0 eng d | ||
| 020 |
_a9789401200264 _q(electronic book) |
||
| 020 |
_z9789042033306 _q(print) |
||
| 024 | 7 |
_a10.1163/9789401200264 _2DOI |
|
| 035 |
_a(OCoLC)742514473 _z(OCoLC)729167177 _z(OCoLC)741288912 _z(OCoLC)961566882 _z(OCoLC)962685784 _z(OCoLC)978054182 _z(OCoLC)988499352 _z(OCoLC)991979026 |
||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
||
| 043 | _aa-cc--- | ||
| 050 | 4 |
_aGV1594 _b.M76 2011eb |
|
| 072 | 7 |
_aSPO _x027000 _2bisacsh |
|
| 072 | 7 |
_aJFC _2bicssc |
|
| 072 | 7 |
_aSOC022000 _2bisacsh |
|
| 082 | 0 | 4 |
_a796.8 _223 |
| 100 | 1 | _aMroz, Daniel. | |
| 245 | 1 | 0 |
_aDancing word : _ban embodied approach to the preparation of performers and the composition of performances / _cDaniel Mroz. |
| 264 | 1 |
_aAmsterdam : _bRodopi, _c2011. |
|
| 300 |
_a1 online resource (219 pages) : _billustrations. |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _2rdacarrier |
||
| 347 |
_adata file _2rda |
||
| 380 | _aBibliography | ||
| 490 | 1 |
_aConsciousness, literature & the arts, _x1573-2193 ; _v30 |
|
| 504 | _aIncludes bibliographical references. | ||
| 505 | 0 | 0 | _aPreliminary Material -- List of Figures -- Preface -- Foreword -- Introduction -- Beginnings in Embodied Learning -- Chinese Martial Arts -- Principles of Performer Preparation -- The Principles of Performance Composition -- The Practice of Performer Preparation and Performance Composition -- Performance Pedagogy in Practice -- Martial Movement Training and Consciousness -- References. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aThe product of over eighteen years of embodied research by the author, The Dancing Word presents a systemic and phenomenological description of a contemporary intercultural theatre practice. This volume offers a blueprint for both training and collaborative performance creation that integrates the best of western laboratory theatre with the practice and ontological underpinnings of Chinese martial ( Wushu ) and healing/self care ( Qigong ) arts. This is a book for theatre practitioners, students, scholars, and those interested in exploring transcultural methodologies. | ||
| 650 | 0 | _aDance. | |
| 650 | 0 |
_aPerformance art _xTechnique. |
|
| 650 | 0 | _aPerformance art. | |
| 650 | 0 |
_aMartial arts _zChina. |
|
| 650 | 0 | _aMartial arts in art. | |
| 776 | 0 | 8 |
_aMroz, Daniel. _tDancing word. _dAmsterdam : Rodopi, 2011 _z9789042033306 _w(OCoLC)745562996 |
| 830 | 0 |
_aConsciousness, Literature and the Arts _v30. |
|
| 830 | 0 | _aLiterature and Cultural Studies E-Books Online, Collection 2011, ISBN: 9789004357914. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789401200264 |
|
| 999 |
_c30044 _d30044 |
||