000			06286nam a22005178i 4500
001			BRILL9789004656161
003			nllekb
005			20260610105245.0
007			cr un uuuua
008			240309s1997 gw sb 001 0 eng d
020			_a9789004656161 _q(electronic book)
020			_z9789042001541 _q(print)
024	7		_a10.1163/9789004656161 _2DOI
035			_a(OCoLC)1417298052
040			_aNL-LeKB _cNL-LeKB _erda
041			_aeng
050		4	_aDT1
072		7	_aJFC _2bicssc
072		7	_aSOC _x022000 _2bisacsh
072		7	_aSOC _x026000 _2bisacsh
082	0	4	_a791.43096 _223
245	1	0	_aWith Open Eyes : _bWomen and African Cinema / _cedited by Kenneth W. Harrow.
246	3		_aWomen and African Cinema
264		1	_aLeiden ; _aBoston : _bBrill, _c1997.
264		4	_c©1997
300			_a1 online resource (276 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aLiterature and Cultural Studies - Book Archive pre-2000
490	1		_aMatatu ; _v19
504			_aIncludes bibliographical references and index.
505	0		_tPreliminary Material / _rEditor: Kenneth W. Harrow -- Introduction / _rEditor: Kenneth W. Harrow -- A Problematic Sign of African Difference in Trinh T. Minh-ha’s Reassemblage / _rStephen A. Zacks -- The Mature and Older Women of African Film / _rSuzanne H. MacRae -- The Female Body as Symbol of Change and Dichotomy: Conflicting Paradigms in the Representation of Women in African Film / _rBeti Ellerson -- Three Poems from The Cows of Shambat / _rTaban Lo Liyong -- The Locus of Tension: Gender in Algerian Cinema / _rRatiba Hadj-Moussa -- Women in Igbo-Language Videos: The Virtuous and the Villainous / _rJ.O.J. Nwachukwu-Agbada -- Interview with Anne Mungai / _rFrances Harding -- Nouveau regard, nouvelle parole: le cinéma d’Assia Djebar / _rMildred Mortimer -- Visages de Femmes: Finzan et Les Soleils des Indépendances / _rMadeleine Borgomano -- The Unreal But Visible Line: Difference and Desire for the Other in Chocolat / _rWilliam A. Vincent -- Women with Open Eyes, Women of Stone and Hammers: Western Feminism and African Feminist Filmmaking Practice / _rKenneth W. Harrow -- Interview with Med Hondo / _rFrançoise Pfaff -- Three Poems from Poèmes de la Mer /Poems of the Sea / _rJ.B. Tati-Loutard -- Sub-Saharan African Women Filmmakers: Agendas for Research with a Filmography / _rNancy J. Schmidt -- Women in African Cinema: An Annotated Bibliography / _rEmilie Ngo-Nguidjol -- In memoriam / _rJames Currey -- Interview with Amryl Johnson (with an appendix on her publications) / _rJana Gohrisch -- Nadine Gordimer: Writing and Being . (The Charles Eliot Norton Lectures, 1994.1 (Cambridge, Mass.; London: Harvard University Press, 1995). 145 pages. US _ 18.95. ISBN 0-67496232-X / _rKenneth W. Harrow -- African Literature Today 20: New Trends and Generations in African Literature , eds. Eldred Durosimi Jones and Marjorie Jones. (London: James Currey; Trenton, New Jersey: Africa World Press, 1996). vi + 186pp, incl. index. £ 9.95 ISBN 0-85255-520-2 / _rKenneth W. Harrow -- Mineke Schipper: Source of All Evil: African Proverbs and Sayings on Women . (Nairobi: Phoenix Publishers, 1991.) 97 pages. Price n.a. / _rKenneth W. Harrow -- Manfred F. Prinz: Die kulturtragenden lnstitutionen Senegals. Zwischen kolonialem Erbe und Unabhlingigkeit . [Sozialwissenschaftliche Studien zu internationalen Problemen / Social Science Studies on International Problems; 172]. (SaarbrUcken, Fort Lauderdale: Breitenbach, 1993). 232 pages. / _rKenneth W. Harrow -- David Kerr: African Popular Theatrefrom Pre-colonial Times to the Present Day . (Studies in African Literature. New Series] (London: James Currey; Portsmouth, NH: Heinemann; Nairobi:.East African Educational Publishers; Harare: Baobab; Cape Town: David Philip, 1995), x + 278 pages. £ 11.95. / _rKenneth W. Harrow -- Jana Gohrisch. (Un)Belonging? Geschlecht, Klasse, Rasse und Ethnizitlit in der britischen Gegenwartsliteratur: Joan Rileys Romane . [Europaische HochschulschriftenlEuropean University Studies, 14; 276). (FrankfurtIMain: Peter Lang, 1994). 250 pages. DM 74.00. / _rKenneth W. Harrow -- Author’s Addresses / _rEditor: Kenneth W. Harrow.
520			_aMatatu is a journal on African literatures and societies dedicated to interdisciplinary dialogue between literary and cultural studies, historiography, the social sciences and cultural anthropology. Matatu is animated by a lively interest in African culture and literature (including the Afro-Caribbean) that moves beyond worn-out clichés of "cultural authenticity" and "national liberation" towards critical exploration of African modernities. The East African public transport vehicle from which Matatu takes its name is both a component and a symbol of these modernities: based on "Western" (these days usually Japanese) technology, it is a vigorously African institution; it is usually regarded with some anxiety by those travelling in it, but is often enough the only means of transport available; it creates temporary communicative communities and provides a transient site for the exchange of news, storytelling, and political debate. Matatu is firmly committed to supporting democratic change in Africa, to providing a forum for interchanges between African and European critical debates, to overcoming notions of absolute cultural, ethnic, or religious alterity, and to promoting transnational discussion on the future of African societies in a wider world. Matatu will be published as journal as of 2016. All back volumes are still available in print.
546			_aEnglish
588			_aDescription based on print version record.
650		0	_aFeminism and motion pictures _zAfrica.
650		0	_aMotion pictures and women _zAfrica.
650		0	_aWomen in the motion picture industry _zAfrica.
700	1		_aHarrow, Kenneth W., _eeditor.
776	0	8	_iPrint version: _tWith Open Eyes : Women and African Cinema. _dLeiden ; Boston : Brill, 1997. _z9789042001541 _w(OCoLC)37123231
830		0	_aLiterature and Cultural Studies - Book Archive pre-2000.
830		0	_aMatatu ; _v19.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004656161
999			_c29407 _d29407