000			03528nam a2200601 i 4500
001			BRILL9789004364370
003			nllekb
005			20260610105237.0
007			cr un uuuua
008			210425s2018 ne sb 001 0 eng d
010			_a 2018003524
020			_a9789004364370 _q(electronic book)
020			_z9789004360198 _q(print)
024	7		_a10.1163/9789004364370 _2DOI
035			_a(OCoLC)1027739523 _z(OCoLC)1015846318
040			_aNL-LeKB _cNL-LeKB _erda _beng
050		4	_aBV195 _b.S23 2018
072		7	_aACN _2bicssc
072		7	_aART015030 _2bisacsh
082	0	4	_a247/.1 _223
100	1		_aSadler, Donna L.
245	1	0	_aTouching the Passion--seeing late medieval altarpieces through the eyes of faith / _cby Donna L. Sadler.
264		1	_aLeiden ; _aBoston : _bBrill, _c2018.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	0		_aBrill's studies on art, art history, and intellectual history ; _vv. 26
490	0		_aBrill's studies in intellectual history, _x0920-8607 ; _vv. 279
504			_aIncludes bibliographical references and index.
505	0	0	_aFront Matter -- Copyright page -- -- Acknowledgements -- List of Illustrations -- Coming to Terms with the Late Medieval Altarpiece -- A Tale of Two Retables from the Benedictine Monastery of Crisenon in the Musée-Abbaye Saint-Germain, Auxerre -- The Aesthetics of Immersion: The Reception of the Retable by the Worshipers -- Engagement with the Pathos of the Passion -- The Role of the Frame -- Epilogue: The Late Medieval Altarpiece as House of Memory.
506			_aAvailable to subscribing member institutions only.
520			_aIn Touching the Passion - Seeing Late Medieval Altarpieces through the Eyes of Faith , Donna Sadler explores the manner in which worshipers responded to the carved and polychromed retables adorning the altars of their parish churches. Framed by the symbolic death of Christ re-enacted during the Mass, the historical account of the Passion on the retable situated Christ's suffering and triumph over death in the present. The dramatic gestures, contemporary garb, and wealth of anecdotal detail on the altarpiece, invited the viewer's absorption in the narrative. As in the Imitatio Christi , the worshiper imaginatively projected himself into the story like a child before a dollhouse. The five senses, the sculptural medium, the small scale, and the rhetoric of memory foster this immersion.
600	1	0	_aJesus Christ _xPassion _vArt.
600	0	7	_aJesus Christ. _2fast
648		7	_a600-1500 _2fast
650		0	_aPublic worship _xHistory.
650		0	_aAltarpieces, Medieval.
650		0	_aChurch history _yMiddle Ages, 600-1500.
650		0	_aFaith.
650		7	_aAltarpieces, Medieval. _2fast
650		7	_aChurch history _xMiddle Ages. _2fast
650		7	_aFaith. _2fast
650		7	_aPassion of Jesus Christ. _2fast
650		7	_aPublic worship. _2fast
655		7	_aArt. _2fast
655		7	_aHistory. _2fast
776	0	8	_iOnline version: _aSadler, Donna L. _tTouching the Passion--seeing late medieval altarpieces through the eyes of faith. _dLeiden ; Boston : Brill, 2018 _z9789004364370 _w(DLC) 2018009828
830		0	_aBrill's Studies in Intellectual History _v279/26.
830		0	_aBrill's Studies in Intellectual History Online, Supplement 2018, ISBN: 9789004353381.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004364370
999			_c28963 _d28963