| 000 | 03188cam a2200481Ii 4500 | ||
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| 001 | BRILL9789401210928 | ||
| 003 | nllekb | ||
| 005 | 20260610105232.0 | ||
| 007 | cr un uuuua | ||
| 008 | 140626s2014 ne sb 001 0 eng d | ||
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_a9789401210928 _q(electronic book) |
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| 020 |
_z9789042038493 _q(print) |
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| 024 | 7 |
_a10.1163/9789401210928 _2DOI |
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| 035 |
_a(OCoLC)884593751 _z(OCoLC)881568326 |
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| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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_aGV1782.5 _b.A534 2014eb |
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_aAFKP _2bicssc |
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_aPER000000 _2bisacsh |
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| 082 | 0 | 4 |
_a792.82 _223 |
| 100 | 1 |
_aAnderson, Mary Elizabeth _c(Assistant professor) |
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| 245 | 1 | 0 |
_aMeeting places : _blocating desert consciousness in performance / _cMary Elizabeth Anderson ; Aart Jan Bergshoeff, cover design. |
| 264 | 1 |
_aAmsterdam, Netherlands : _bRodopi. |
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| 264 | 4 | _cc2014. | |
| 300 | _a1 online resource (146 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _2rdacarrier |
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_aConsciousness, Literature & the Arts, _x1879-6044 ; _v40 |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 | _aPreliminary Material -- Acknowledgments -- Dream/Archive: The Australian Central Desert as Generative Environment -- Dream Disrupted: Figuring the Displaced Thing in Dictionary of Atmospheres -- Spectacular Failures: Site-Specific Festival Performance as a Problem-Idea -- De Quincey in Alice: Transposing Place in the Central Desert -- Epilogue: Stretching Time, Writing ‘Groundless Forms of Meaning’: Inviting an Aporetic Consciousness of Reflection into Performance’s Aftermath -- Bibliography -- Index. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aOver the period 1999-2005, choreographer and dancer Tess de Quincey and a team of international artists conducted a series of art-laboratories and performances in and around the Central Desert town of Alice Springs. These art-labs culminated in the 2005 performance of Dictionary of Atmospheres , staged during the Alice Desert Festival. Drawing upon practice-based research conducted while interning with de Quincey during the development and staging of Dictionary of Atmospheres , Anderson contemplates the way in which moments from the production illustrate the artist’s approach to and articulation of place. Meeting Places offers meditation on the nature of experience as it manifests in serial site-specific art encounters in desert locations. | ||
| 650 | 0 |
_aChoreography _xHistory. |
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_aChoreography. _2fast |
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| 655 | 7 |
_aHistory. _2fast |
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| 700 | 1 | _aBergshoeff, Aart Jan. | |
| 776 | 0 | 8 |
_iPrint version: _aAnderson, Mary Elizabeth. _tMeeting places : locating desert consciousness in performance. _dAmsterdam, Netherlands : Rodopi, ©2014 _h152 pages _kConsciousness, literature & the arts ; 40 _x1879-6044 _z9789042038493 |
| 830 | 0 |
_aConsciousness, Literature and the Arts _v40. |
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| 830 | 0 | _aLiterature and Cultural Studies E-Books Online, Collection 2014, ISBN: 9789004357884. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789401210928 |
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_c28628 _d28628 |
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