| 000 | 03573nam a2200493 i 4500 | ||
|---|---|---|---|
| 001 | BRILL9789004210639 | ||
| 003 | nllekb | ||
| 005 | 20260610105219.0 | ||
| 007 | cr un uuuua | ||
| 008 | 110114s2011 ne a sb 001 0 eng | ||
| 010 | _a 2011000824 | ||
| 020 |
_a9789004210639 _q(electronic book) |
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| 020 |
_z9789004204232 _q(print) |
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| 024 | 7 |
_a10.1163/ej.9789004204232.i-342 _2DOI |
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| 035 | _a(OCoLC)697612803 | ||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 043 | _ae-ne--- | ||
| 050 | 4 |
_aBV153.N4 _bS77 2011 |
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| 082 | 0 | 4 |
_a246.09492/0903 _222 |
| 100 | 1 |
_aStronks, Els, _d1965- |
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| 245 | 1 | 0 |
_aNegotiating differences _bword, image and religion in the Dutch Republic / _cby Els Stronks. |
| 264 | 1 |
_aLeiden ; _aBoston : _bBrill, _c2011. |
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| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 0 | _aBrill eBook titles 2011 | |
| 504 | _aIncludes bibliographical references (p. [305]-334) and index. | ||
| 505 | 0 | 0 |
_tPreliminary Material / _rE. Stronks -- _tChapter One. Literature As Reflection Of Religious Identities / _rE. Stronks -- _tChapter Two. Aspects Of Visual Culture: Word, Image And Religion / _rE. Stronks -- _tChapter Three. Restrictions And Sensibilities, 1600–1630 / _rE. Stronks -- _tChapter Four. Diverging Roads, 1630–1653 / _rE. Stronks -- _tChapter Five. Windows Of Opportunity, 1653–1678 / _rE. Stronks -- _tChapter Six. Appropriation, 1678–1725 / _rE. Stronks -- _tChapter Seven. Annexation, 1725–1795 / _rE. Stronks -- _tEpilogue / _rE. Stronks -- _tBibliography / _rE. Stronks -- _tIndex / _rE. Stronks. |
| 506 | 1 | _aAvailable to subscribing member institutions only. | |
| 520 | _aThis book explores the dynamics of peaceful coexistence in the Dutch Republic by tracing the literary responses to one of the key controversies between Protestants and Catholics – the role of religious imagery in worship. Why and to what extent were people in the Republic willing to reconcile theological differences and combine elements from their own religious cultural practices with those of another? The intermingling of practices, the author shows, was unexpectedly complicated in the Republic. Restraints were imposed on the use of images in religious literature of all denominations till 1650. Evidence of negotiations appears after 1650, however, as Dutch Protestants absorbed significant aspects of Catholic visual traditions into their own. Religious toleration had clearly become a matter of sharing rather than enduring for the Protestants, but retained features of a monologue since Dutch Catholics were then developing a new, idiosyncratic identity of their own. | ||
| 650 | 0 |
_aChristian art and symbolism _zNetherlands _yModern period, 1500- |
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| 650 | 0 |
_aChristian literature, Dutch _xHistory and criticism. |
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| 650 | 0 |
_aChristian literature, Dutch _xIllustrations. |
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| 650 | 0 |
_aReligious tolerance _zNetherlands _xHistory _y17th century. |
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| 650 | 0 |
_aReligious tolerance _zNetherlands _xHistory _y18th century. |
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| 651 | 0 |
_aNetherlands _xChurch history _y17th century. |
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| 651 | 0 |
_aNetherlands _xChurch history _y18th century. |
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| 776 | 0 |
_z9789004204232 (hardback : alk. paper) _z9004204237 (hardback : alk. paper) _z9789004210639 (electronic book) |
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| 830 | 0 |
_aStudies in Medieval and Reformation Traditions _v155. |
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| 830 | 0 | _aEuropean History and Culture E-Books Online, Collection 2011, ISBN: 9789004222878. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/ej.9789004204232.i-342 |
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| 999 |
_c27850 _d27850 |
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