000			06728nam a2200553 i 4500
001			BRILL9789004262010
003			nllekb
005			20260610105207.0
007			cr un uuuua
008			131112s2014 ne b 001 0 eng
010			_a 2013040477
020			_a9789004262010 _q(electronic book)
020			_z9789004262003 _q(print)
024	7		_a10.1163/9789004262010 _2DOI
040			_aNL-LeKB _cNL-LeKB _erda
042			_apcc
043			_ae------
050		4	_aBS476 _b.I45 2014
072		7	_aHIS037020 _2bisacsh
082	0	4	_a302.2/22 _223
245	0	0	_aImago exegetica : _bvisual images as exegetical instruments, 1400-1700 / _cedited by James Clifton, Walter S. Melion, and Michel Weemans.
263			_a1401--
264		1	_aLeiden : _bBrill, _c2014.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	0		_aIntersections : interdisciplinary studies in early modern culture, _x1568-1181 ; _vv. 33
504			_aIncludes bibliographical references and index.
505	0	0	_tPreliminary Material -- _tIntroduction: Visual Exegesis and Pieter Bruegel’s Christ and the Woman Taken in Adultery / _rWalter S. Melion -- _tJan van Eyck’s Typology of Spiritual Knighthood in the Van der Paele Madonna / _rJamie L. Smith -- _tTypology at its Limits: Visual Exegesis and Eschatology in the Sistine Chapel / _rGiovanni Careri -- _tTypology – Back with a Vengeance! Texts, Images, and Marginal Glosses in Vorsterman’s 1534 Dutch Bible / _rWim François -- _tL’Épitaphe de Jan Michielsen et Maria Maes de Rubens. Rhétorique et exégèse visuelle / _rColette Nativel -- _tA New Interpretation of Vermeer’s Allegory of Faith: Vividness and Figural Interpretation / _rCaroline van Eck -- _tEmpathy as a Type of Early Netherlandish Visual Wit / _rBret L. Rothstein -- _tMeditative Exegesis and the Trope of Conversion in Dirk Vellert’s Calling of Peter and Andrew of 1523 / _rWalter S. Melion -- _tThe Preaching of John the Baptist: Herri met de Bles’s Visual Exegesis and Expanded Typology / _rMichel Weemans -- _tEarly Modern Hands: Gesture in the Work of Jan van Hemessen / _rTodd M. Richardson -- _tBecoming Elijah: The Sleep of Elijah by Philippe de Champaigne from the Convent of the Val-de-Grâce / _rTatiana Senkevitch -- _t‘See the Bridegroom Cometh; Go Out and Meet Him’: On Spiritual Progress and Mystical Union in Early Netherlandish Painting / _rIngrid Falque -- _tRogier van der Weyden and Jan van Ruusbroec: Reading, Rending, and Re-Fashioning the ‘Twice-Dyed’ Veil of Blood in the Escorial Crucifixion / _rElliott D. Wise -- _tHelenus and Dorotheus: Marten de Vos and the Desert Fathers / _rLeopoldine van Hogendorp Prosperetti -- _tLectio Divina and Francis de Sales’s Picturing of the Interconnection of Divine and Human Hearts / _rJoseph F. Chorpenning -- _tIllumination of Images and Illumination through the Image – Functions and Concepts of Gospel Illustrations in the Bible of the Nuremberg Patrician Martin Pfinzing / _rMaria Deiters -- _tClades Judaeae Gentis: Patterns of Destruction / _rMerel Groentjes -- _tModes of Scriptural Illustration: The Beatitudes in the Late Sixteenth Century / _rJames Clifton -- _tFraming Devices and Exegetical Strategies in Northern Illustrated Spiritual Literature / _rRalph Dekoninck and Agnès Guiderdoni -- _t‘The Glory of the Last House’ (Haggai 2:9): Rembrandt and the Prophets Malachi and Haggai / _rShelley Perlove -- _tSaints Amidst the Inferno: Humanism in Wittenberg’s Pre-Reformation Art: A New Exegesis of Dürer’s Martyrdom of the Ten Thousand / _rBirgit Ulrike Münch -- _tVisual Exegesis and Social History: Hieronymus Beck von Leopoldsdorf (1525–1596) and His Strategies of Self-Aggrandizement / _rWolfgang Neuber -- _tGideon, an Old Testament Hero in Action: Burgundian Symbolism and the Visual Language of Protestant Flanders / _rDagmar Eichberger -- _tMaerten van Heemskerck’s Heliodorus Driven from the Temple: Translatio and the Interrogative Print / _rArthur J. DiFuria -- _tOf Churches, Heretics, and Other Guides of the Blind: The Fall of the Blind Leading the Blind by Pieter Bruegel the Elder and the Esthetics of Subversion / _rJürgen Müller -- _tBruegel’s Biblical Kings / _rLarry Silver -- _tFrom Putti to Angels: The Celestial Creatures in Otto Vaenius’ Paintings and Emblems / _rNathalie de BrézéSurname.
520			_aThis volume consists of essays that pose fundamental questions about the relation between verbal and visual hermeneutics, especially as relates to biblical culture. Exegesis, as theologians and historians of art, religion, and literature, have come increasingly to acknowledge, was neither solely textual nor aniconic; on the contrary, following from Scripture itself, which is replete with verbal images and rhetorical figures, exegesis has traditionally utilized visual devices of all kinds. In turn, visual exegesis, since it concerns the most authoritative of texts, supplied a template for the interpretation of other kinds of significant text by means of images. Seen in this light, exegetical images prove crucial to understanding how meaning was constituted visually, not only in the sacred sphere but also in the secular. Contributors include Giovanni Careri, Joseph Chorpenning, James Clifton, Nathalie de Brézé, Maria Deiters, Ralph Dekoninck, Arthur diFuria, Caroline van Eck, Dagmar Eichberger, Ingrid Falque, Wim François, Merel Groentjes, Agnès Guiderdoni, Barbara Haeger, Alexander Linke, Walter Melion, Jürgen Müller, Birgit Ulrike Münch, Colette Nativel, Wolfgang Neuber, Shelley Perlove, Leopoldine Prosperetti, Todd Richardson, Bret Rothstein, Tatiana Senkevitch, Larry Silver, Jamie Smith, Trudelien van 't Hof, Michel Weemans, and Elliott Wise
630	0	0	_aBible _xHermeneutics.
630	0	0	_aBible _xCriticism, interpretation, etc.
630	0	0	_aBible _vIllustrations.
650		0	_aChristian art and symbolism _zEurope _xHistory.
650		0	_aVisual communication _zEurope _xHistory.
650		0	_aTheology _zEurope _xHistory.
650		0	_aHermeneutics _xHistory.
651		0	_aEurope _xReligious life and customs.
651		0	_aEurope _xIntellectual life.
700	1		_aClifton, James, _d1958-
700	1		_aMelion, Walter S.
700	1		_aWeemans, Michel.
776	0	8	_iPrint version: _tImago Exegetica: Visual Images as Exegetical Instruments, 1400-1700 _dLeiden, Boston : BRILL, 2014, _z9789004262003
830		0	_aIntersections _v33.
830		0	_aEuropean History and Culture E-Books Online, Collection 2014-II, ISBN: 9789004271456.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004262010
999			_c27110 _d27110