000 04110cam a2200529Ii 4500
001 BRILL9789042027091
003 nllekb
005 20260610105159.0
007 cr un uuuua
008 091009s2009 ne sb 001 0 eng d
020 _a9789042027091
_q(electronic book)
020 _z9789042027084
_q(print)
024 7 _a10.1163/9789042027091
_2DOI
035 _a(OCoLC)455845921
_z(OCoLC)690681195
040 _aNL-LeKB
_cNL-LeKB
_erda
050 4 _aPT345
_b.G455 2009
072 7 _aDSB
_2bicssc
072 7 _aLIT000000
_2bisacsh
082 0 4 _a830.9007
100 1 _aGallagher, David.
245 1 0 _aMetamorphosis :
_btransformations of the body and the influence of Ovid's Metamorphoses on Germanic literature of the nineteenth and twentieth centuries /
_cDavid Gallagher.
264 1 _aAmsterdam ;
_aNew York :
_bRodopi,
_c2009.
300 _a1 online resource (470 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
490 1 _aInternationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ;
_v127
504 _aIncludes bibliographical references and index.
505 0 0 _aPreliminary Material -- Preface -- Abbreviations and Signs -- Introduction -- Arachnids, Invertebrates and Lepidoptera -- Avian and Serpentine -- Myriad Arboreal, Mammalian, Feline and Lupine -- Melusinas, Nymphs, Water Sprites and Undinas -- Christoph Ransmayr's Die letzte welt (1988) -- Conclusion -- Bibliography -- Index.
506 _aAvailable to subscribing member institutions only.
520 _aThe origins of selected instances of metamorphosis in Germanic literature are traced from their roots in Ovid’s Metamorphoses , grouped roughly on an ‘ascending evolutionary scale’ (invertebrates, birds, animals, and mermaids). Whilst a broad range of mythological, legendary, fairytale and folktale traditions have played an appreciable part, Ovid’s Metamorphoses is still an important comparative analysis and reference point for nineteenth- and twentieth-century German-language narratives of transformations. Metamorphosis is most often used as an index of crisis: an existential crisis of the subject or a crisis in a society’s moral, social or cultural values. Specifically selected texts for analysis include Jeremias Gotthelf’s Die schwarze Spinne (1842) with the terrifying metamorphoses of Christine into a black spider, the metamorphosis of Gregor Samsa in Kafka’s Die Verwandlung (1915), ambiguous metamorphoses in E. T. A. Hoffmann’s Der goldne Topf (1814), Hermann Hesse’s Piktors Verwandlungen (1925), Der Steppenwolf (1927) and Christoph Ransmayr’s Die letzte Welt (1988). Other mythical metamorphoses are examined in texts by Bachmann, Fouqué, Fontane, Goethe, Nietzsche, Nelly Sachs, Thomas Mann and Wagner, and these and many others confirm that metamorphosis is used historically, scientifically, for religious purposes; to highlight identity, sexuality, a dream state, or for metaphoric, metonymic or allegorical reasons.
600 0 0 _aOvid,
_d43 B.C.-17 A.D. or 18 A.D.
_tMetamorphoses.
600 0 0 _aOvid,
_d43 B.C.-17 A.D. or 18 A.D.
_xInfluence.
600 0 7 _aOvid,
_d43 B.C.-17 A.D. or 18 A.D.
_2fast
630 0 7 _aMetamorphoses (Ovid)
_2fast
648 7 _a1800-1999
_2fast
650 0 _aMetamorphosis in literature.
650 7 _aGerman literature.
_2fast
650 7 _aInfluence (Literary, artistic, etc.)
_2fast
650 7 _aMetamorphosis in literature.
_2fast
655 7 _aCriticism, interpretation, etc.
_2fast
776 0 8 _iPrint version:
_tMetamorphosis: Transformations of the Body and the Influence of Ovid’s Metamorphoses on Germanic Literature of the Nineteenth and Twentieth Centuries
_dLeiden, Boston : Brill | Rodopi, 2009,
_z9789042027084
830 0 _aInternationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft
_v127.
830 0 _aLiterature and Cultural Studies E-Books Online, Collection 2009, ISBN: 9789004357945.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789042027091
999 _c26665
_d26665