000			03726cam a2200469Ii 4500
001			BRILL9789004291997
003			nllekb
005			20260610105151.0
007			cr un uuuua
008			150521s2015 ne s 000 0 eng d
020			_a9789004291997 _q(electronic book)
020			_z9789004291980 _q(print)
024	7		_a10.1163/9789004291997 _2DOI
040			_aNL-LeKB _cNL-LeKB _erda
050		4	_aN5300 _b.A78
072		7	_aABQ _2bicssc
072		7	_aART037000 _2bisacsh
072		7	_aABQ _2bicssc
072		7	_aART037000 _2bisacsh
082	0	4	_a707.5 _223
245	0	0	_aArt crossing borders : _bthe international art market in the age of nation states, 1760-1914.
264		1	_aLeiden : _bBrill, _c[2015]
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
505	0	0	_tFront Matter -- _tCopyright page -- _tAcknowledgements -- _tFigures -- _tContributors -- _tTowards an International History of the Nineteenth-Century Art Trade / _rJan Dirk Baetens and Dries Lyna -- _tThe Education of the Art Market: National Schools and International Trade in the “Long” Nineteenth Century / _rJan Dirk Baetens and Dries Lyna -- _t‘Directions to Know a Good Picture’: Marketing National School Categories to the British Public in the “Long” Eighteenth Century / _rBénédicte Miyamoto -- _tCreating Cultural and Commercial Value in Late Nineteenth-Century New York Art Catalogues / _rLeanne Zalewski -- _t(Inter)national Art: The London Old Masters Market and Modern British Painting (1900–14) / _rBarbara Pezzini -- _tThe Artistic Trade and Networks of the Italian Community in London Around 1800 / _rCamilla Murgia -- _tBerlin – Paris: Transnational Aspects of French Art Auctions in the Middle of the Nineteenth Century / _rLukas Fuchsgruber -- _tAppropriation as a Form of Nationalism? Collecting French Furniture in the Nineteenth Century / _rAdriana Turpin -- _tThe Modern Italian Sculptor as International Entrepreneur: The Case of Medardo Rosso (1858–1928) / _rSharon Hecker -- _tArt Reproduction and the Nation: National Perspectives in an International Art Market / _rRobert Verhoogt -- _tReframing the “International Art Market” / _rPamela Fletcher and Anne Helmreich -- _tBack Matter -- _tIndex.
506			_aAvailable to subscribing member institutions only.
520			_aArt Crossing Borders offers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Borders offers a crucial contribution to the field of art market studies.
650		0	_aArt _xHistory.
650		0	_aArt _xHistory and criticism.
650		0	_aArts _xInternational cooperation.
650		0	_aNationalism _xHistory _y18th century.
650		0	_aNationalism _xHistory _y19th century.
650		0	_aNationalism _xHistory _y20th century.
650		0	_aInternational trade.
776	0	8	_iPrint version: _tArt Crossing Borders: The Internationalisation of the Art Market in the Age of Nation States, 1750-1914 _dLeiden, Boston : BRILL, 2019, _z9789004291980
830		0	_aStudies in the History of Collecting & Art Markets _v6.
830		0	_aEarly Modern History and Modern History E-Books Online, Collection 2019, ISBN: 9789004386310.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004291997
999			_c26169 _d26169