000			02903nam a22004698i 4500
001			BRILL9789004658813
003			nllekb
005			20260610105144.0
007			cr un uuuua
008			230413s1996 gw sb 001 0 eng d
020			_a9789004658813 _q(electronic book)
020			_a9789042000117 _q(print)
024	7		_a10.1163/9789004658813 _2DOI
035			_a(OCoLC)604712602
040			_aNL-LeKB _cNL-LeKB _erda
041			_aeng
050		4	_aPR3716
072		7	_aJFC _2bicssc
072		7	_aSOC _x022000 _2bisacsh
072		7	_aSOC _x026000 _2bisacsh
082	0	4	_a823.6 _223
245	1	0	_aLaurence Sterne in Modernism and Postmodernism / _cvolume edited by David Pierce and Peter Jan de Voogd.
264		1	_aLeiden ; _aBoston : _bBrill, _c1996.
264		4	_c©1996
300			_a1 online resource (212 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aPostmodern Studies ; _v15
504			_aIncludes bibliographical references and index.
520			_aLaurence Sterne's Tristram Shandy is the most wayward — and in some respects the most powerful — critique of Locke's theory of knowledge, while his interest in the gulf between biological and clock time makes him a contemporary of Proust and Bergson. In obscuring the fine line between autobiography and fiction, Sterne belongs to the generation of modern writers that includes Joyce and Nabokov. In his deliberate refusal to construct a 'goahead plot' Sterne commends himself to contemporary narratologists. In his concern with personal identity, he anticipates the Derridean stress on 'trace'. In his promiscuous borrowings from past authors, he offers himself as a suitably perverse model for the school of postmodern theory. In his attention to matters of typography and to a visual language, he provides a running commentary on almost every aspect of the relationship between word and image. Himself influenced by Rabelais, Montaigne, Cervantes and Burton, Sterne has influenced writers as diverse as Cabrera Infante, Kundera, Márquez, Rushdie and Beckett. And James Joyce. These influences are traced here by sixteen scholars from Europe and the USA, proof if any were needed that Laurence Sterne today is as rewardingly puzzling as he was in his own century. .
546			_aEnglish
588			_aDescription based on print version record.
600	1	0	_aSterne, Laurence, _d1713-1768.
650		0	_aModernism (Literature)
700	1		_aPierce, David, _eeditor.
700	1		_aVoogd, Peter Jan de, _eeditor.
776	0	8	_iPrint version: _tLaurence Sterne in Modernism and Postmodernism. _dLeiden ; Boston : Brill, 1996. _z9789042000117 _w(OCoLC)36202913
830		0	_aPostmodern Studies ; _v15.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004658813
999			_c25724 _d25724