| 000 | 02806nam a2200457 i 4500 | ||
|---|---|---|---|
| 001 | BRILL9789004278523 | ||
| 003 | nllekb | ||
| 005 | 20260610105134.0 | ||
| 007 | cr un uuuua | ||
| 008 | 140616s2014 mau s 000 0 eng d | ||
| 010 | _a 2014023664 | ||
| 020 |
_a9789004278523 _q(electronic book) |
||
| 020 |
_z9789004269194 _q(print) |
||
| 024 | 7 |
_a10.1163/9789004278523 _2DOI |
|
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
||
| 041 | 1 |
_aeng _hita |
|
| 050 | 4 |
_aBT587.M3 _bN5313 2014 |
|
| 072 | 7 |
_aHB _2bicssc |
|
| 072 | 7 |
_aHIS000000 _2bisacsh |
|
| 082 | 0 | 4 |
_a232.9/66 _223 |
| 100 | 1 | _aNicolotti, Andrea. | |
| 240 | 1 | 0 |
_aDal Mandylion di Edessa alla Sindone di Torino. _lEnglish |
| 245 | 1 | 0 |
_aFrom the Mandylion of Edessa to the Shroud of Turin : _bthe metamorphosis and manipulation of a legend / _cby Andrea Nicolotti ; edited by Sarah Blick and Laura D. Gelfand. |
| 264 | 1 |
_aBoston : _bBrill, _c2014. |
|
| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _2rdacarrier |
||
| 490 | 0 |
_aArt and material culture in medieval and Renaissance Europe, _x2212-4187 ; _v1 |
|
| 505 | 0 | 0 | _aPreliminary Material -- 1 Introduction -- 2 Origins and Traditions -- 3 Shifting Perspectives? -- 4 The Translation of the Image of Edessa -- 5 The Mandylion in Constantinople -- 6 An Overview of Iconography -- 7 The End -- Index of Names. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aAccording to legend, the Mandylion was an image of Christ’s face imprinted on a towel, kept in Edessa. This acheiopoieton image (“not made by human hands”) disappeared in the eighteenth century. The first records of another acheiropoieton relic appeared in mid-fourteenth century France: a long linen bearing the image of Jesus’ corpse, known nowadays as the Holy Shroud of Turin. Some believe the Mandylion and the Shroud to be the same object, first kept in Edessa, later translated to Constantinople, France and Italy. Andrea Nicolotti traces back the legend of the Edessean image in history and art, focusing especially on elements that could prove its identity with the Shroud, concluding that the Mandylion and the Shroud are two distinct objects. | ||
| 600 | 0 | 0 |
_aJesus Christ _xRelics. |
| 630 | 0 | 0 | _aHoly Face of Edessa. |
| 650 | 0 | _aHoly Shroud. | |
| 776 | 0 | 8 |
_iPrint version: _tFrom the Mandylion of Edessa to the Shroud of Turin: The Metamorphosis and Manipulation of a Legend _dLeiden, Boston : BRILL, 2014, _z9789004269194 |
| 830 | 0 |
_aArt and Material Culture in Medieval and Renaissance Europe _v1. |
|
| 830 | 0 | _aEuropean History and Culture E-Books Online, Collection 2014-I, ISBN: 9789004262447. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004278523 |
|
| 999 |
_c25143 _d25143 |
||