| 000 | 03250nam a2200529 i 4500 | ||
|---|---|---|---|
| 001 | BRILL9789004355583 | ||
| 003 | nllekb | ||
| 005 | 20260610105131.0 | ||
| 007 | cr un uuuua | ||
| 008 | 180712s2018 ne sb 001 0 eng d | ||
| 010 | _a 2018033542 | ||
| 020 |
_a9789004355583 _q(electronic book) |
||
| 020 |
_z9789004355569 _q(print) |
||
| 024 | 7 |
_a10.1163/9789004355583 _2DOI |
|
| 035 | _a(OCoLC)1043913668 | ||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
||
| 043 | _ae------ | ||
| 050 | 4 |
_aPN1751 _b.M39 2018 |
|
| 072 | 7 |
_aBIO _x007000 _2bisacsh |
|
| 072 | 7 |
_aAN _2bicssc |
|
| 072 | 7 |
_aDRA000000 _2bisacsh |
|
| 082 | 0 | 4 |
_a809.2/516 _223 |
| 100 | 1 |
_aMazzon, Gabriella, _d1962- |
|
| 245 | 1 | 0 |
_aPathos in late-Medieval religious drama and art : _ba communicative strategy / _cby Gabriella Mazzon. |
| 264 | 1 |
_aLeiden ; _aBoston : _bBrill Rodopi, _c[2018] |
|
| 300 | _a1 online resource (326 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _2rdacarrier |
||
| 490 | 1 |
_aLudus : medieval and early Renaissance theatre and drama ; _vv. xv |
|
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 | _aPreliminary Material -- Introduction -- 1 Words and Images in the late Middle Ages: the Social Functions of Drama and Art -- 2 The Codification of the Public Display of Emotions -- 3 Verbal and Visual Rhetoric: Lexicon and Grammar -- 4 The Outward Gaze: Effective Audience Engagement -- Conclusion -- Bibliography -- Index of Names -- Index of Subjects. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aPathos as Communicative Strategy in Late-Medieval Religious Drama and Art explores the strategies employed to trigger emotional responses in late-medieval dramatic texts from several Western European traditions, and juxtaposes these texts with artistic productions from the same areas, with an emphasis on Britain. The aim is to unravel the mechanisms through which pathos was produced and employed, mainly through the representation of pain and suffering, with mainly religious, but also political aims. The novelty of the book resides in its specific linguistic perspective, which highlights the recurrent use of words, structures and dialogic patterns in drama to reinforce messages on the salvific value of suffering, in synergy with visual messages produced in the same cultural milieu. | ||
| 588 | _aDescription based on print version record and CIP data provided by publisher; resource not viewed. | ||
| 650 | 0 |
_aDrama, Medieval _xHistory and criticism. |
|
| 650 | 0 |
_aLiturgical drama _zEurope _xHistory and criticism. |
|
| 650 | 0 |
_aTheater _zEurope _xHistory _yMedieval, 500-1500. |
|
| 650 | 0 | _aPathos in literature. | |
| 650 | 0 |
_aChristian art and symbolism _yMedieval, 500-1500. |
|
| 650 | 0 |
_aDrama _xTechnique. |
|
| 776 | 0 | 8 |
_iPrint version: _aMazzon, Gabriella, 1962- author. _tPathos in late-Medieval religious drama and art _dLeiden ; Boston : Brill Rodopi, [2018] _z9789004355569 _w(DLC) 2018011106 |
| 830 | 0 |
_aLudus _v15. |
|
| 830 | 0 | _aLiterature and Cultural Studies E-Books Online, Collection 2018, ISBN: 9789004353336. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004355583 |
|
| 999 |
_c24994 _d24994 |
||