000 04383nam a2200565 i 4500
001 BRILL9789004361492
003 nllekb
005 20260610105124.0
007 cr un uuuua
008 171115s2018 mauaf sb 001 0 eng d
010 _a 2017054706
020 _a9789004361492
_q(electronic book)
020 _z9789004315051
_q(print)
024 7 _a10.1163/9789004361492
_2DOI
035 _a(OCoLC)1007047134
040 _aNL-LeKB
_cNL-LeKB
_erda
043 _ae------
050 4 _aND1580
_b.A46 2018
072 7 _aHB
_2bicssc
072 7 _aHIS000000
_2bisacsh
082 0 4 _a759.94
_223
245 0 0 _aAlmost eternal :
_bpainting on stone and material innovation in early modern Europe /
_cedited by Piers Baker-Bates, Elena Calvillo.
264 1 _aBoston :
_bBrill.
264 4 _cc2018.
300 _a1 online resource (XXI, 365 pages) :
_billustrations.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
490 1 _aArt and material culture in Medieval and Renaissance Europe,
_x2212-4187 ;
_vv. 10
504 _aIncludes bibliographical references and index.
505 0 0 _tPreliminary Material --
_tIntroduction /
_rPiers Baker-Bates and Elena Calvillo --
_tPlates 1-15 /
_rPiers Baker-Bates and Elena Calvillo --
_t1 ‘Uno Nuovo Modo di Colorire in Pietra’: Technical Experimentation in the Art of Sebastiano del Piombo /
_rPiers Baker-Bates --
_t2 Painted Stone: Idea and Practice in Italian Renaissance /
_rAna González Mozo --
_t3 ‘Un paragone con oro su’: Material Innovation, Invention and Sebastiano del Piombo’s Papal Portraiture /
_rElena Calvillo --
_t4 The Matter of Similitude: Stone Paintings and the Limits of Representation in Cavaliere d’Arpino’s Perseus and Andromeda and Jacques Stella’s Jacob’s Dream  /
_rChristopher J. Nygren --
_tPlates 16-32 /
_rPiers Baker-Bates and Elena Calvillo --
_t5 Antonio Tempesta’s Paintings on Stone and the Development of a Genre in 17th-Century Italy /
_rJohanna Beate Lohff --
_t6 Glances into Stone: Hans von Aachen’s Paintings on Stone /
_rSusanne Wegmann --
_t7 Painting on Stone and Metal: Material Meaning and Innovation in Early Modern Northern European Art /
_rNadia Baadj --
_t8 ‘Painting the Eternal’: Micromosaic Materiality and Transubstantiation in an Icon of Christ at Santa Croce in Gerusalemme, Rome /
_rAnna Marazuela Kim --
_t9 Invention, Ambition and Failure: Niccolò Tornioli (1606-51) and ‘Il Segreto di Colorire il Marmo’ /
_rGiulia Martina Weston --
_t10 Salvator Rosa: A Variety of Surfaces /
_rHelen Langdon --
_tIndex /
_rPiers Baker-Bates and Elena Calvillo.
506 _aAvailable to subscribing member institutions only.
520 _aAlmost Eternal: Painting on Stone and Material Innovation in Early Modern Europe gathers together an international group of ten scholars, who offer a novel account of the phenomenon of oil painting on stone surfaces in Northern and Southern Europe. This technique was devised in Rome by Sebastiano del Piombo in the early sixteenth century and was practiced until the late seventeenth century. This phenomenon has attracted little attention previously: the volume therefore makes a significant and timely contribution to the field in the light of recent studies of materiality and the rise of technical Art History. Contributors: Nadia Baadj, Piers Baker-Bates, Elena Calvillo, Ana Gonsalez Mozo, Anna Kim, Helen Langdon, Johanna Beate Lohff, Judith Mann, Christopher Nygren, Suzanne Wegmann, and Giulia Martina Weston.
648 7 _a1500-1699
_2fast
650 0 _aStone painting
_zEurope.
650 0 _aPainting, European
_y16th century.
650 0 _aPainting, European
_y17th century.
650 0 _aDiffusion of innovations
_zEurope.
650 7 _aDiffusion of innovations.
_2fast
650 7 _aPainting, European.
_2fast
650 7 _aStone painting.
_2fast
651 7 _aEurope.
_2fast
700 1 _aBaker-Bates, Piers.
700 1 _aCalvillo, Elena M.
776 0 8 _iOnline version:
_t"Almost eternal".
_dBoston : Brill, 2018
_z9789004361492
_w(DLC) 2017057132
830 0 _aArt and Material Culture in Medieval and Renaissance Europe
_v10.
830 0 _aEuropean History and Culture E-Books Online, Collection 2018-I, ISBN: 9789004353299.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789004361492
999 _c24524
_d24524