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| 001 | BRILL9789004341807 | ||
| 003 | nllekb | ||
| 005 | 20260610105114.0 | ||
| 007 | cr un uuuua | ||
| 008 | 170628s2017 ne sb 001 0 eng d | ||
| 010 | _a 2017030825 | ||
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_a9789004341807 _q(electronic book) |
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_z9789004341791 _q(print) |
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| 024 | 7 |
_a10.1163/9789004341807 _2DOI |
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_a 2017030825 _6ORIG |
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_aNL-LeKB _cNL-LeKB _erda |
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_ae------ _an-us--- |
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| 050 | 4 | _aPN56.M54 | |
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_aDS _2bicssc |
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_aLIT000000 _2bisacsh |
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| 082 | 0 | 4 |
_a809/.042 _223 |
| 100 | 1 | _aHermans, Cornelis Andreas Marie. | |
| 245 | 1 | 0 |
_aInterbellum literature : _bwriting in a season of nihilism / _cby Cor Hermans. |
| 264 | 1 |
_aLeiden ; _aBoston : _bBrill, _c2017. |
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| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 0 |
_aLiterary modernism ; _vv. 4 |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 | _aPrologue: Imagine Sisyphus -- Lost Worlds -- The Algerian -- A Salesman Called Schoenzeit -- Becoming Böll -- Beckett Climbs the Mount of Joy -- A Farewell to Vienna -- A Thin Slice of Bois de Boulogne -- Models of Daring -- Caligula and the Moon -- On Meeting Joyce -- Musil Traverses “Park Nietzsche” -- Sartre in Berlin and Bouville -- Norwegian Light -- Land, Stock, and Fringe -- Bohemian and Bauer -- The Grimace of Céline -- Simone Weil and Franz Kafka: A Forceful Parallel -- Ernst Jünger’s World of Fire -- Thomas Mann and Some Afterthoughts. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aIn Interbellum Literature historian Cor Hermans presents a panorama of modernist writing in the ominous period 1918-1940. The book offers, in full scope, an engaging synthesis of the most stimulating ideas and tendencies in the novels and plays of a wide circle of writers from France (Proust, Gide, Camus, Céline, Tzara, Aragon, Simone Weil), England and Ireland (Virginia Woolf, Orwell, Joyce, Beckett), the USA (Scott Fitzgerald, Arthur Miller, O’Neill, Hemingway), Austria-Hungary (Musil, Broch, Kafka, Zweig, Roth), and Germany (Hesse, Jünger, Böll, Thomas Mann). Caught between world wars, they nevertheless succeeded in creating some of the best literature ever. They created a philosophy as well, rejecting bourgeois ‘mechanical’ society, designing escape routes from the nihilism of the times. | ||
| 588 | _aDescription based on print version record and CIP data provided by publisher; resource not viewed. | ||
| 650 | 0 |
_aModernism (Literature) _zEurope. |
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| 650 | 0 |
_aModernism (Literature) _zUnited States. |
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| 650 | 0 |
_aLiterature, Modern _y20th century _xHistory and criticism. |
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| 650 | 0 |
_aEuropean literature _y20th century _xHistory and criticism. |
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| 650 | 0 |
_aAmerican literature _y20th century _xHistory and criticism. |
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| 776 | 0 | 8 |
_iPrint version: _aHermans, Cornelis Andreas Marie author. _tInterbellum literature _dLeiden ; Boston : Brill, 2017 _z9789004341791 _w(DLC) 2017019844 |
| 830 | 0 |
_aLiterary Modernism _v4. |
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| 830 | 0 | _aLiterature and Cultural Studies E-Books Online, Collection 2017, ISBN: 9789004328075. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004341807 |
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_c23928 _d23928 |
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