000			04539nam a22005298i 4500
001			BRILL9789004732865
003			nllekb
005			20260610105105.0
007			cr un uuuua
008			250910s2026 gw sb 001 0 eng d
020			_a9789004732865 _q(electronic book)
020			_z9789004732858 _q(print)
024	7		_a10.1163/9789004732865 _2DOI
035			_z(OCoLC)1523050995
040			_aNL-LeKB _cNL-LeKB _erda
041			_aeng
050		4	_aN5305
072		7	_aABQ _2bicssc
072		7	_aART _x037000 _2bisacsh
072		7	_aART _x043000 _2bisacsh
082	0	4	_a709 _223
100	1		_aHolmes, Mary Tavener, _eauthor.
245	1	0	_aIn Conversation : _bIntention and Innovation in Eighteenth-Century Display / _cMary Tavener Holmes and Christoph Martin Vogtherr.
246	3		_aIntention and Innovation in Eighteenth-Century Display
264		1	_aLeiden ; _aBoston : _bBrill, _c2026.
264		4	_c©2026
300			_a1 online resource (452 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aEarly Modern History and Modern History E-Books Online, Collection 2025
490	1		_aStudies in the History of Collecting & Art Markets ; _v23
504			_aIncludes bibliographical references and index.
505	0		_tAcknowledgements IX -- List of Figures -- Introduction -- 1 Social Spaces: Displaying and Discussing Paintings in Eighteenth-Century European Collections -- 2 A New Theoretical Framework -- 3 The Vanishing Role of Iconography -- 4 Setting the Stage: Vienna and Versailles at the Beginning of the Eighteenth Century -- Part 1: Pioneers of the New Principles -- Introduction to Part 1 -- 1 Lothar Franz Graf Schönborn at Pommersfelden, Schloss Weißenstein -- 2 Eugen Prince of Savoy at Vienna, Upper Belvedere -- 3 Philippe II, Duc d’Orléans at Paris, Palais Royal -- 4 Pierre Crozat at Paris, rue de Richelieu -- Part 2: New Approaches by Private Collectors -- Introduction to Part 2 -- 5 Jeanne-Baptiste d’Albert, Comtesse de Verrue at Paris, rue du Cherche-Midi -- 6 Jean de Jullienne at Paris, rue des Gobelins -- 7 François Berger at Paris, rue Saint-Marc -- 8 Etienne-François, Duc de Choiseul at Paris, rue de Richelieu -- Part 3: Rulers and Institutions -- Introduction to Part 3 -- 9 Elector Friedrich August II of Saxony / August III King of Poland at Dresden, Stallhof -- 10 The Electors Palatine at Düsseldorf, Schloss, and at Mannheim, Schloss -- 11 The French Royal Collection at Paris, Palais du Luxembourg -- 12 The Académie Royal de Peinture et de Sculpture at the Salon, Paris, Palais du Louvre -- 13 Abel-François Poisson de Vandières, Marquis de Marigny et de Menars at Paris, rue Saint-Thomas-du-Louvre -- 14 Friedrich II King of Prussia at Potsdam, Schloss Sanssouci and Bildergalerie -- Part 4: The British Contribution -- Introduction to Part 4 -- 15 Sir Robert Walpole at Houghton Hall -- 16 Thomas Coke, Earl of Leicester at Holkham Hall -- 17 John Stuart, 3rd Earl of Bute at Luton Hoo -- Part 5: On the Verge of the Museum Age -- Introduction to Part 5 -- 18 The Imperial Collection at Vienna, Upper Belvedere -- Conclusion: Principles of Eighteenth-Century Paintings Displays -- Bibliography.
520			_aAt the beginning of the eighteenth century, a generation of collectors in France and the Holy Roman Empire developed new principles for the display of paintings, principles based on comparison triggered by the mixture of schools and periods; its aim was to encourage analysis and connoisseurship through comparison and conversation. The ground-breaking theories of Roger de Piles were central to this novel approach, and essential to its understanding. These principles were predominant until the 1780s. This book examines case studies in France, the German Empire and the UK that exemplify these new principles.
546			_aEnglish
588			_aDescription based on print version record.
650		0	_aArchitecture.
650		0	_aArt History.
650		0	_aArt Theory.
700	1		_aVogtherr, Christoph Martin, _eauthor.
776	0	8	_iPrint version: _tIn Conversation : Intention and Innovation in Eighteenth-Century Display. _dLeiden ; Boston : Brill, 2026. _z9789004732858
830		0	_aEarly Modern History and Modern History E-Books Online, Collection 2025.
830		0	_aStudies in the History of Collecting & Art Markets ; _v23.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004732865
999			_c23424 _d23424