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001 BRILL9789004398290
003 nllekb
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007 cr un uuuua
008 190409s2019 mau b 001 0 eng
010 _a 2019011738
020 _a9789004398290
_q(electronic book)
020 _z9789004398108
_q(print)
024 7 _a10.1163/9789004398290
_2DOI
040 _aNL-LeKB
_cNL-LeKB
_erda
050 4 _aPN1995
_b.P515 2019
072 7 _aHPN
_2bicssc
072 7 _aPHI
_x001000
_2bisacsh
082 0 4 _a791.4301
_223
245 0 0 _aPlato and the moving image /
_cedited by Shai Biderman, Michael Weinman.
264 1 _aLeiden ;
_aBoston :
_bBrill,
_c2019.
300 _a1 online resource.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _aonline resource
_2rdacarrier
490 0 _aValue inquiry book series ;
_v332
490 0 _aPhilosophy of film
490 0 _aReligious Studies, Theology and Philosophy E-Books Online, Collection 2019, ISBN: 9789004390898
504 _aIncludes bibliographical references and index.
505 0 0 _tFront Matter --
_tCopyright Page --
_tAcknowledgements --
_tIllustrations --
_tNotes on Contributors --
_tIntroduction /
_rShai Biderman and Michael Weinman --
_tFrom Plato to the Moving Image: Reorienting Film-Philosophy --
_tAccounting for Images in the Sophist /
_rAbraham Jacob Greenstine --
_tPseudos, Kalos and Eikōs Mythos in Plato and Film /
_rDanielle A. Layne and Erik W. Schmidt --
_tDead Ringers: Plato and Turning the Camera Back /
_rTimothy Secret --
_tThe Cinematic Image as Platonic Simulacrum /
_rJorge Tomas Garcia --
_tThe Myth of Er as Rationalizing Recording Device /
_rMichael Weinman --
_tFrom the Moving Image to Plato: Reorienting Plato Studies --
_tLearning to Notice: Light and Shadow, from Chauvet Cave to Plato’s Cave and Beyond /
_rPaul A. Kottman --
_tPhaedo: a Ghost Story /
_rDavid N. McNeill --
_tFascism Re-performed: Benjaminian Mimesis, Platonic Methexis and Bertolucci’s The Conformist /
_rAdrian Switzer --
_tEntranced by the Spectacle of Truth: Wonder and Ascent in Plato and Terrence Malick’s Knight of Cups and To the Wonder /
_rDavid H. Calhoun --
_tPlato, Pleonexia and Environmental Documentaries /
_rMichael Forest --
_tTruth, Reality and Fiction in the Documentary of Errol Morris: Refiguring ‘Platonism’ in Epistemology and Aesthetics /
_rShai Biderman --
_tBack Matter --
_tIndex.
520 _aThis book shows how and why debates in the philosophy of film can be advanced through the study of the role of images in Plato’s dialogues, and, conversely, why Plato studies stands to benefit from a consideration of recent debates in the philosophy of film. Contributions range from a reading of Phaedo as a ghost story to thinking about climate change documentaries through Plato’s account of pleonexia . They suggest how philosophical aesthetics can be reoriented by attending anew to Plato’s deployment of images, particularly images that move. They also show how Plato’s deployment of images is integral to his practice as a literary artist. Contributors are Shai Biderman, David Calhoun, Michael Forest, Jorge Tomas Garcia, Abraham Jacob Greenstine, Paul A. Kottman, Danielle A. Layne, David McNeill, Erik W. Schmidt, Timothy Secret, Adrian Switzer, and Michael Weinman.
600 0 0 _aPlato
_xInfluence.
650 0 _aMotion pictures
_xPhilosophy.
700 1 _aBiderman, Shai,
_eeditor of compilation.
700 1 _aWeinman, Michael,
_eeditor of compilation.
776 0 8 _iPrint version:
_tPlato and the Moving Image
_dLeiden, Boston : Brill | Rodopi, [2019],
_z9789004398108
830 0 _aValue Inquiry Book Series
_v332.
830 0 _aReligious Studies, Theology and Philosophy E-Books Online, Collection 2019, ISBN: 9789004390898.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789004398290
999 _c23187
_d23187