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001 BRILL9789401209953
003 nllekb
005 20260610105057.0
007 cr un uuuua
008 140117s2013 ne s 001 0 eng d
020 _a9789401209953
_q(electronic book)
020 _z9789042037441
_q(print)
024 7 _a10.1163/9789401209953
_2DOI
035 _a(OCoLC)868282565
_z(OCoLC)961624254
_z(OCoLC)962625342
040 _aNL-LeKB
_cNL-LeKB
_erda
043 _ae------
050 4 _aPN56.M54
_bM6135 2013
072 7 _aLIT
_x000000
_2bisacsh
072 7 _aDSBH
_2bicssc
072 7 _aLIT000000
_2bisacsh
082 0 4 _a809/.9112
_223
245 0 0 _aModernism today /
_cedited by Sjef Houppermans [and others].
264 1 _aAmsterdam :
_bEditions Rodopi,
_c2013.
300 _a1 online resource (283 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
490 1 _aTextxet ;
_v72
500 _aIncludes index.
505 0 0 _tPreliminary Material --
_tWHAT MODERNISM WAS AND IS: BY WAY OF AN INTRODUCTION /
_rSascha Sascha and Dirk de Geest --
_tTOWARDS MODERNISM /
_rHans Bertens --
_t“THE WORLD IS A FINE ADVENTUROUS PLACE”: GRAHAM GREENE IN THE 1930S /
_rPeter Liebregts --
_tSORTIES OR ENTRENCHMENT: ROUSSEL, CREVEL AND ARAGON BETWEEN AVANT-GARDE AND ARRIǑE-GARDE /
_rSjef Houppermans --
_tINTELLECTUAL SCEPTICISM VERSUS AVANT-GARDE BRAGGING: MODERNISM IN DUTCH LITERATURE /
_rJacqueline Bel --
_t“THE FINAL CATHOLIC”: PAUL VAN OSTAIJEN, AND THE CATHOLIC RȖEIL AROUND THE FIRST WORLD WAR /
_rGeert Buelens --
_tARRIǑE-GARDE PERSPECTIVES ON THE HISTORY OF MODERN LITERATURE: THE CASE OF THE NETHERLANDS (1880-1940) /
_rKoen Rymenants , Tom Sintobin and Pieter Verstraeten --
_tHOW MODERNISM DISAPPEARED FROM FEDOR GLADKOV’S CEMENT BETWEEN 1924 AND 1958 /
_rArthur Langeveld --
_tBIOCOSMISM AND THE RUSSIAN AVANT-GARDE: A LITERARY CUL-DE-SAC OR THE ROAD TO IMMORTALITY? /
_rOtto Boele --
_tTEN TIMES PESSOA /
_rPaulo de Medeiros --
_tMODERNISM IN GREEK LITERATURE (1910-1940) /
_rHero Hokwerda --
_tFUN HOME: ITHACA, PENNSYLVANIA /
_rJan Baetens --
_tA MODERNIST “ATTEMPT AT CINEMA”: THE “IMPURITY” OF PIERROT LE FOU /
_rPeter Verstraten --
_tMODERNISM AND THE ART OF PRINTING: TRANSITION AND CAROLUS VERHULST /
_rPeter de Voogd --
_tTHE (POST)MODERN MUSIC OF EDGARD VARǓE /
_rMarcel Cobussen --
_tNOTES ON CONTRIBUTORS --
_tINDEX.
506 _aAvailable to subscribing member institutions only.
520 _aThis book manifests at least four recent shifts and tendencies within Modernist studies in general that point at the expansion of this increasingly interdisciplinary field. First, Modernist studies has seen a temporal expansion, to the extent that scholars in the field have come to turn to both the pre- and posterior history of Modernism. Second, the field has witnessed a spatial expansion, in that increasingly so researchers have also come to scrutinize the Modernisms of regions at the fringes of Europe, and beyond. Thirdly, a vertical expansion too has marked Modernist studies in recent decades, not only by further expanding the canon of women writers and exploring the continuum between high- and lowbrow, but also by looking at the artistic and mediatized hierarchies and cross-fertilizations operative in the period. A fourth conceptual expansion of the field shows that whereas concepts such as “middlebrow”, “arrière-garde”, and to some extent even “avant-garde”, were once exotic notions of at best marginal importance in European Modernist studies, they now form part and parcel of the field, complicating and expanding it conceptually.
648 7 _a1900-1999
_2fast
650 0 _aModernism (Literature)
650 0 _aModernism (Literature)
_zEurope.
650 0 _aEuropean literature
_y20th century
_xHistory and criticism.
650 7 _aEuropean literature.
_2fast
650 7 _aModernism (Literature)
_2fast
651 7 _aEurope.
_2fast
655 7 _aCriticism, interpretation, etc.
_2fast
700 1 _aHouppermans, Sjef.
776 0 8 _iPrint version:
_aHouppermans, Sjef.
_tModernism Today.
_dEditions Rodopi 2013
_z9789042037441
830 0 _aTextxet: Studies in Comparative Literature
_v72.
830 0 _aLiterature and Cultural Studies E-Books Online, Collection 2013, ISBN: 9789004357891.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789401209953
999 _c22984
_d22984