000			03811nam a2200577 i 4500
001			BRILL9789004276758
003			nllekb
005			20260610105054.0
007			cr un uuuua
008			170711s2017 mau sb 001 0 eng d
010			_a 2017032956
020			_a9789004276758 _q(electronic book)
020			_z9789004336988 _q(print)
024	7		_a10.1163/9789004276758 _2DOI
035			_a 2017032956 _6ORIG
040			_aNL-LeKB _cNL-LeKB _erda
043			_ae-fr--- _ae-ne--- _ae-be---
050		4	_aN8600
072		7	_aAC _2bicssc
072		7	_aART015000 _2bisacsh
082	0	4	_a700.944/36109033 _223
100	1		_aSpieth, Darius Alexander, _d1970-
245	1	0	_aRevolutionary Paris and the market for Netherlandish art / _cby Darius A. Spieth ; with a foreword by Marc Fumaroli.
264		1	_aBoston : _bBrill, _c2017.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	0		_aStudies in the history of collecting & art markets ; _vv. 3
504			_aIncludes bibliographical references and index.
505	0	0	_tFrom Eyesores to Blue Chip Art / _rDarius A. Spieth and Marc Fumaroli -- _tOn the Art of Surviving the Revolution: Jean-Baptiste Pierre Lebrun / _rDarius A. Spieth and Marc Fumaroli -- _tA Long Good Bye to the Palais Royal: The Northern Pictures in the Orléans Collection / _rDarius A. Spieth and Marc Fumaroli -- _tLiberty’s Toll on Beauty’s Price / _rDarius A. Spieth and Marc Fumaroli -- _tNetherlandish Art in France: A History of Taste and Money across Three Centuries / _rDarius A. Spieth and Marc Fumaroli.
506			_aAvailable to subscribing member institutions only.
520			_aSeventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
588			_aDescription based on print version record and CIP data provided by publisher; resource not viewed.
650		0	_aArt _zFrance _zParis _xMarketing _xHistory _y18th century.
650		0	_aArt _zFrance _zParis _xMarketing _xHistory _y19th century.
650		0	_aArt dealers _zFrance _zParis _xHistory _y18th century.
650		0	_aArt dealers _zFrance _zParis _xHistory _y19th century.
650		0	_aPainting _xEconomic aspects _xHistory _zFrance _zParis _y18th century.
650		0	_aPainting _xEconomic aspects _xHistory _zFrance _zParis _y19th century.
650		0	_aPainting, Dutch _y17th century.
650		0	_aPainting, Flemish _y17th century.
651		0	_aParis (France) _xCommerce _xHistory _y18th century.
651		0	_aParis (France) _xCommerce _xHistory _y19th century.
700	1		_aFumaroli, Marc.
776	0	8	_iPrint version: _aSpieth, Darius Alexander, 1970- author. _tRevolutionary Paris and the market for Netherlandish art _dBoston : Brill, 2017 _z9789004336988 _w(DLC) 2017032460
830		0	_aStudies in the History of Collecting & Art Markets _v3.
830		0	_aEuropean History and Culture E-Books Online, Collection 2017-II, ISBN: 9789004328013.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004276758
999			_c22831 _d22831