| 000 | 03565cam a2200481Ii 4500 | ||
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| 001 | BRILL9789004334151 | ||
| 003 | nllekb | ||
| 005 | 20260610105046.0 | ||
| 007 | cr un uuuua | ||
| 008 | 030111s2002 ne s 100 0 eng d | ||
| 020 |
_a9789004334151 _q(electronic book) |
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| 020 |
_z9789042012790 _q(print) |
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| 024 | 7 |
_a10.1163/9789004334151 _2DOI |
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| 035 | _a(OCoLC)50569111 | ||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 050 | 4 |
_aN66 _b.C65 2002 |
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| 072 | 7 |
_aN _2lcco |
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| 072 | 7 |
_aABA _2bicssc |
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| 072 | 7 |
_aPHI001000 _2bisacsh |
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| 082 | 0 | 4 | _a709 |
| 245 | 0 | 0 |
_aConcepts on the move / _cAnnette W. Balkema and Henk Slager (editions.). |
| 264 | 1 |
_aAmsterdam : _bRodopi, _c2002. |
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| 300 | _a1 online resource (197 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 1 |
_aLier en boog series ; _vv. 17 |
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| 500 | _aIncludes material from ten workshops and a concluding symposium. | ||
| 505 | 0 | 0 |
_tPROLOGUE / _rAnnette W. Balkema and Henk Slager -- _tNEWESTHETICS / _rHenk Slager -- _tANTWERP: Prolegomena / _rAnnette W. Balkema and Henk Slager -- _tKARLSRUHE: Immaterial Communication / _rAnnette W. Balkema and Henk Slager -- _tLJUBLJANA: Information Strategies / _rAnnette W. Balkema and Henk Slager -- _tLONDON: Aesthetics of the Seamless / _rAnnette W. Balkema and Henk Slager -- _tMAASTRICHT: Institution and Research / _rAnnette W. Balkema and Henk Slager -- _tNEW YORK: Cultural Conditions / _rAnnette W. Balkema and Henk Slager -- _tOSLO: Artistic Language Games / _rAnnette W. Balkema and Henk Slager -- _tPARIS: Collaboration / _rAnnette W. Balkema and Henk Slager -- _tTOKYO: Aesthetic Discourses / _rAnnette W. Balkema and Henk Slager -- _tVENICE: Curatorial Perspectives / _rAnnette W. Balkema and Henk Slager -- _tSYMPOSIUM: Amsterdam / _rAnnette W. Balkema and Henk Slager. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aIn order to give an impetus to the production of an apparatus of aesthetic concepts, in line with Deleuze and Guattari’s claim to create new concepts for a changing world, this volume publishes statements and discussions of ten Concept on the Move workshops, as well as texts and discussions of the concluding Concept on the Move symposium. The integral outcome of the workshops, the symposium and the discussions does not, however, present some sort of blueprint for the future of visual art and aesthetics. If one wished to designate the Concepts on the Move publication in one notion at all that definitively could only be TOOLKIT. A TOOKIT in the sense of a great collection of ideas, topics, issues, notions, and concepts emerging in the 21st-century world of visual art and theory. They indeed could serve as an impetus for the construction and production of a body of theoretical work fit to understand today’s technological, theoretical, and artistic developments in the art world. Are concepts on the move? Yes, they are, and they always will be on the great journey visual art takes them. | ||
| 650 | 0 |
_aArt _xPhilosophy _vCongresses. |
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| 650 | 0 |
_aAesthetics _vCongresses. |
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| 650 | 7 |
_aAesthetics. _2fast |
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| 650 | 7 |
_aArt _xPhilosophy. _2fast |
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| 655 | 7 |
_aConference papers and proceedings. _2fast |
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| 700 | 1 | _aBalkema, Annette W. | |
| 700 | 1 | _aSlager, Henk. | |
| 776 | 0 | 8 |
_iOnline version: _tConcepts on the move. _dAmsterdam : Rodopi, 2002 _w(OCoLC)606926355 |
| 830 | 0 |
_aLier & Boog _v17. |
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| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004334151 |
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| 999 |
_c22378 _d22378 |
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