000			05909nam a2200541 i 4500
001			BRILL9789004236998
003			nllekb
005			20260610105046.0
007			cr un uuuua
008			120803s2013 ne a sb 101 0 eng d
010			_a 2012031317
020			_a9789004236998 _q(electronic book)
020			_z9789004240636 _q(print)
024	7		_a10.1163/9789004236998 _2DOI
040			_aNL-LeKB _cNL-LeKB _erda
043			_ae------
050		4	_aPN2171 _b.D83 2013
072		7	_aPN _2lcco
072		7	_aJFCX _2bicssc
072		7	_aHIS _x000000 _2bisacsh
082	0	4	_a792.094 _223
245	0	0	_aDrama, performance and debate : _btheatre and public opinion in the early modern period / _cedited by Jan Bloemendal, Peter G.F. Eversmann, Elsa Strietman.
264		1	_aLeiden ; _aBoston : _bBrill, _c2013.
300			_a1 online resource (vi, 373 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aDrama and theatre in early modern Europe, _x2211-341X ; _vv. 2
500			_aSelected essays presented at the conference, Drama, Performance and Debate, held in Amsterdam, 29-31 May 2008.
504			_aIncludes bibliographical references and index.
505	0	0	_tPreliminary Material / _rJan Bloemendal , Peter G.F. Eversmann and Elsa Strietman -- _tDrama, Performance, Debate. Theatre and Public Opinion in the Early Modern Period: An Introduction / _rJan Bloemendal , Peter G.F. Eversmann and Elsa Strietman -- _tPersonal Expression of a Playwright or Public Discourse of a Confraternity? A Performance at the Puy de Notre-Dame in Amiens in 1473 / _rKatell Lavéant -- _tCarlo and Marcellino Verardi’s Fernandus servatus and the Poem Supra casum Hispani regis by Petrus Martyr: Drama and Diplomacy in Papal Rome under Alexander VI / _rHartmut Beyer -- _tThe University out on the Streets: Drama, Debate and Public Space in France (1490–1520) / _rJelle Koopmans -- _tTheatre Society in the Early Modern Low Countries: Theatricality, Controversy, and Publicity in Amsterdam in the 1530s / _rArjan van Dixhoorn -- _tTheatre in Court: The Heresy Trial Against the Playwright Gnapheus and the Confessionalization of the Lutheran Church / _rVerena Demoed -- _tAll About Eve: Genesis and Gender in a Fireworks Display in the Antwerp Entry of Charles V and His Son Philip / _rStijn Bussels -- _tStaged Conversations: Topical Discourse in Sixteenth-Century Dutch Biblical Rhetoricians’ Plays / _rElsa Strietman -- _tThe Peasant as a Mouthpiece of Public Opinion in Sixteenth- and Seventeenth-Century Dutch Theatre / _rHubert Meeus -- _tPublic Debate and Early Modern Drama: Intended or Unintended Topicality in Lummenaeus à Marca’s Carcer Babylonius (1610) / _rRon J. Gruijters -- _tContextualizing Nicolas Caussin’s Tragoediae Sacrae (1620): Moral Issues in the Portrayal of Passions / _rJean-Frédéric Chevalier -- _t‘Founded for the Ears and Eyes of the People’: Picturing the Amsterdam Schouwburg from 1637 / _rPeter G.F. Eversmann -- _tStaging the History of Amsterdam in Vondel’s Gysbreght van Aemstel: A Non-Confessional Dramatic Contribution to the Narrative of the Dutch Revolt / _rMarco Prandoni -- _tMundus Dramaticus: A School Drama and Dramatization – Franciscus van den Enden / _rFrans-Willem Korsten -- _tBallet de la Paix: Staging a Seventeenth-Century Theatre Performance / _rImre Bésanger -- _tMasks and Skulls: Towards an Anatomy of Drama in the Seventeenth Century / _rHelmar Schramm -- _tAbout the Authors / _rJan Bloemendal , Peter G.F. Eversmann and Elsa Strietman -- _tIndex of Names / _rJan Bloemendal , Peter G.F. Eversmann and Elsa Strietman.
506			_aAvailable to subscribing member institutions only.
520			_aEarly modern theatre was a visual matter, even though the authors wrote plays which were mainly meant to be read. But whether they wrote their plays to have them performed or not, authors could use comedies, tragi-comedies or tragedies to influence public opinion, to make a statement in a debate, or to convey explicit or implicit lessons that they carried out or had carried out by linguistic, rhetorical and theatrical means. How explicit they were in expressing their views depended on the characters of the authors or the circumstances in which they wrote. Questions regarding the opinion-forming and opinion-following functions of theatre, the means by which authors and theatre makers expressed their ideas, and the role of theatre and plays in public debate are discussed from various angles. Such questions refer not only to ‘literary’ plays, but also to other forms of theatrical event, such as royal entrances. Contributors include: Imre Bésanger, Hartmut Beyer, Stijn Bussels, Jean-Frédéric Chevalier, Verena Demoed, Arjan van Dixhoorn, Ron Gruijters, Jelle Koopmans, Frans-Willem Korsten, Katell Lavéant, Hubert Meeus, Marco Prandoni, and Helmar Schramm.
650		0	_aTheater _zEurope _xHistory _y17th century _vCongresses.
650		0	_aTheater _zEurope _xHistory _y16th century _vCongresses.
650		0	_aTheater _zEurope _xHistory _y15th century _vCongresses.
650		0	_aTheater and society _zEurope _xHistory _y17th century _vCongresses.
650		0	_aTheater and society _zEurope _xHistory _y16th century _vCongresses.
650		0	_aTheater and society _zEurope _xHistory _y15th century _vCongresses.
700	1		_aBloemendal, Jan, _d1961-
700	1		_aEversmann, Peter.
700	1		_aStrietman, Elsa.
776	0	8	_iPrint version: _tDrama, Performance and Debate: Theatre and Public Opinion in the Early Modern Period _dLeiden, Boston : BRILL, 2013, _z9789004240636
830		0	_aDrama and Theatre in Early Modern Europe _v2.
830		0	_aEuropean History and Culture E-Books Online, Collection 2013, ISBN: 9789004248670.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004236998
999			_c22358 _d22358