| 000 | 03264nam a22005051i 4500 | ||
|---|---|---|---|
| 001 | BRILL9789004468719 | ||
| 003 | nllekb | ||
| 005 | 20260610105044.0 | ||
| 007 | cr un uuuua | ||
| 008 | 210731s2021 ne sb 001 0 eng d | ||
| 010 | _a 2021028846 | ||
| 020 |
_a9789004468719 _q(electronic book) |
||
| 020 |
_a9789004468245 _q(print) |
||
| 024 | 7 |
_a10.1163/9789004468719 _2DOI |
|
| 035 | _z(OCoLC)1251765467 | ||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
||
| 043 | _ae-fr--- | ||
| 050 | 0 | 0 | _aN8600 |
| 072 | 7 |
_aAC _2bicssc |
|
| 072 | 7 |
_aART _x015000 _2bisacsh |
|
| 082 | 0 | 0 |
_a707.50944 _223 |
| 100 | 1 |
_aChallis, David, _eauthor. |
|
| 245 | 1 | 0 |
_aForeign Currency Volatility and the Market for French Modernist Art / _cDavid Challis. |
| 264 | 1 |
_aLeiden; _aBoston : _bBRILL, _c2021. |
|
| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _2rdacarrier |
||
| 490 | 1 | _aEarly Modern History and Modern History E-Books Online, Collection 2021, ISBN: 9789004441910 | |
| 490 | 1 |
_aStudies in the History of Collecting & Art Markets ; _v12 |
|
| 500 | _aBased on the author's dissertation (Ph.D.)--University of Melbourne, 2018, under the title: Moving mountains : interwar collecting of French modernist art and the economics of translocation. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aEconomic Disruption and the Monetisation of French Collections -- Samuel Courtauld as Private Collector and Public Donor -- Albert Barnes as Currency Opportunist and 'Visionary Art Educator' -- Kojiro Matsukata and the Economics of Rodin in Japan -- Institutional Inertia and the National Gallery of Victoria in Australia -- Assis Chateaubriand at the Museu de São Paulo and the Turn Toward Brazilian Modernism. | |
| 520 | _aForeign Currency Volatility and the Market for French Modernist Art examines how the collapse of the French franc in the decades following the First World War activated powerful 'push' and 'pull' economic forces that compelled French art collectors to monetise their collections while simultaneously elevating the purchasing power of international art collectors. These factors are shown to have played a significant, and previously under-recognised role, in the large-scale translocation of French modernist art that radically accelerated its commercial and critical reception across the globe and positioned it at the apex of the newly established hierarchy of modern art. | ||
| 588 | _aDescription based on print version record. | ||
| 650 | 0 |
_aArt _xCollectors and collecting _xHistory _y20th century. |
|
| 650 | 0 |
_aArt _zFrance _xMarketing _xHistory _y20th century. |
|
| 650 | 0 |
_aModernism (Art) _zFrance _xForeign public opinion. |
|
| 651 | 0 |
_aFrance _xEconomic conditions _y1918-1945. |
|
| 776 | 0 | 8 |
_iPrint version: _tForeign Currency Volatility and the Market for French Modernist Art. _dLeiden ; Boston : BRILL, 2021 _z9789004468245 _w(DLC) 2021028845 |
| 830 | 0 | _aEarly Modern History and Modern History E-Books Online, Collection 2021, ISBN: 9789004441910. | |
| 830 | 0 |
_aStudies in the History of Collecting & Art Markets ; _v12. |
|
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004468719 |
|
| 999 |
_c22284 _d22284 |
||