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| 001 | BRILL9789004385474 | ||
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_a9789004385474 _q(electronic book) |
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_z9789004385467 _q(print) |
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_a10.1163/9789004385474 _2DOI |
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_a770.1 _223 |
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_aPicturing America : _bPhotography and the Sense of Place / _cKerstin Schmidt, Julia Isabel Faisst. |
| 264 | 1 |
_aLeiden, _aBoston : _bBrill | Rodopi, _c2019. |
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| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 0 |
_aSpatial Practices ; _vv. 26 |
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| 490 | 0 | _aLiterature and Cultural Studies E-Books Online, Collection 2019, ISBN: 9789004386334 | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tFront Matter -- _tCopyright Page -- _tIntroduction: The Place of Photography / _rKerstin Schmidt and Julia Faisst -- _tFrom Sewers to Selfies: the Evolution of Photographs into Infrastructure / _rMitchell Schwarzer -- _tNowhere, Now Here: Lee Friedlander’s Self Portrait and the National Ground / _rShamoon Zamir -- _tPhotography, Revision, and the City in Henry James’s New York Edition and Alvin Langdon Coburn’s London / _rEmily Setina -- _tGogol + Nikhil = Nikon? Power, Place, and Photography in Jhumpa Lahiri’s The Namesake / _rMichael Wutz -- _tRelations to the Real: the Fugitive Documentary of Stan Douglas and James Casebere / _rKerstin Schmidt -- _tWaste Landscapes: Photographing the Course of Empire / _rMiles Orvell -- _tWear Your Shelter: Climate Change Photography and Mary Mattingly’s Nomadographies / _rJulia Faisst -- _tAt Home: the Visual Culture of Privacy / _rJoseph Imorde -- _tPictorialism in the American West and Regionalism Writ-Large / _rRachel McLean Sailor -- _tThe Governing Eye: Heart Mountain through the Lens of War Relocation Authority and Bureau of Reclamation Photographs / _rEric J. Sandeen -- _tOver Here, Over There, Down Below: American Photographers Confront the Great War / _rDavid M. Lubin -- _tRemapping the Geography of Class: Photography, Protest, and the Politics of Space in the 1968 Poor People’s Campaign / _rKatharina Fackler -- _tThe Power of Place in Holocaust Postmemory Photography / _rBettina Lockemann -- _tNon-Places: Stone Quarries Near Eichstätt, Germany / _rHubert P. Klotzeck -- _tBack Matter -- _tIndex. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aPicturing America: Photography and the Sense of Place argues that photography is a prevalent practice of making American places. Its collected essays epitomize not only how pictures situate us in a specific place, but also how they create a sense of such mutable place-worlds. Understanding photographs as prime sites of knowledge production and advocates of socio-political transformations, a transnational set of scholars reveals how images enact both our perception and conception of American environments. They investigate the power photography yields in shaping our ideas of self, nation, and empire, of private and public space, through urban, landscape, wasteland and portrait photography. The volume radically reconfigures how pictures alter the development of American places in the past, present, and future. | ||
| 650 | 0 |
_aPhotography _xPhilosophy. |
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| 650 | 0 |
_aPhotography _zUnited States. |
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| 700 | 1 |
_aSchmidt, Kerstin, _eeditor. |
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| 700 | 1 |
_aFaisst, Julia Isabel, _eeditor. |
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| 776 | 0 | 8 |
_iPrint version: _tPicturing America: Photography and the Sense of Place _dLeiden ; Boston : Brill | Rodopi, 2019, _z9789004385467 |
| 830 | 0 |
_aSpatial Practices _v26. |
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| 830 | 0 | _aLiterature and Cultural Studies E-Books Online, Collection 2019, ISBN: 9789004386334. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004385474 |
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| 999 |
_c21483 _d21483 |
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