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| 001 | BRILL9789047422365 | ||
| 003 | nllekb | ||
| 005 | 20260610105029.0 | ||
| 007 | cr un uuuua | ||
| 008 | 071001s2007 ne a sb 001 0 eng | ||
| 010 | _a 2007040547 | ||
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| 016 | 7 |
_a013801034 _2Uk |
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_aB0715575 _2bccb |
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| 019 | _a148834722 | ||
| 020 |
_a9789047422365 _q(electronic book) |
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| 020 |
_z9789004131880 _q(print) |
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| 024 | 7 |
_a10.1163/ej.9789004131880.i-657 _2DOI |
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| 035 |
_a(OCoLC)159701998 _z(OCoLC)148834722 |
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_aNL-LeKB _cNL-LeKB _erda |
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| 041 | 0 |
_aeng _afre _ager |
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| 050 | 4 |
_aQL15 _b.E27 2007 |
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| 082 | 0 | 4 |
_a591'.0903 _222 |
| 082 | 0 | 4 |
_a590.9 _222 |
| 245 | 0 | 0 |
_aEarly modern zoology : _bthe construction of animals in science, literature and the visual arts / _cedited by Karl A.E. Enenkel and Paul J. Smith. |
| 264 | 1 |
_aLeiden ; _aBoston : _bBrill, _c2007. |
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| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 0 | _aBrill eBook titles 2007 | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tPreliminary Material / _rK.A.E. Enenkel and M.S. Smith -- _tIntroduction / _rKarl A.E. Enenkel and Paul J. Smith -- _tColour Plates / _rK.A.E. Enenkel and M.S. Smith -- _tZur Konstituierung Der Zoologie Als Wissenschaft In Der Frühen Neuzeit: Diskursanalyse Zweier Großprojekte (Wotton, Gesner) / _rKarl A.E. Enenkel -- _tOn Toucans And Hornbills: Readings In Early Modern Ornithology From Belon To Buffon / _rPaul J. Smith -- _tBiology And Theology In Franzius’s Historia Animalium Sacra (1612) / _rVibeke Roggen -- _tBetween Emblematics And The ‘Argument From Design’: The Representation Of Insects In The Dutch Republic / _rEric Jorink -- _tShell Collecting. On 17th-Century Conchology, Curiosity Cabinets And Still Life Painting / _rKarin Leonhard -- _tIn Minimis Maxime Conspicua. Insektendarstellungen Um 1600 Und Die Anfänge Der Entomologie / _rThea Vignau-Wilberg -- _tCurious Fish: Connections Between Some Sixteenth-Century Watercolours And Prints / _rFlorike Egmond -- _tFrom Brazil To Europe: The Zoological Drawings Of Albert Eckhout And Georg Marcgraf / _rRebecca P. Brienen -- _tPreliminary Material / _rK.A.E. Enenkel and M.S. Smith -- _tMaking And Breaking The Stag: The Construction Of The Animal In The Early Modern Hunting Treatise / _rSuzanne J. Walker -- _t(Un)Stable Identities: Hippology And The Professionalization Of Scholarship And Horsemanship In Early Modern Germany / _rPia F. Cuneo -- _t‘A Remedy For His Beast’: Popular Veterinary Texts In Early Modern England / _rLouise Hill Curth -- _tDehumanised Sinners And Their Instruments Of Sin: Men And Animals In Early Modern Bestiality Cases, Austria 1500–1800 / _rSusanne Hehenberger -- _tRenaissance Menageries. Exotic Animals And Pets At The Habsburg Courts In Iberia And Central Europe / _rAlmudena Pérez De Tudela and Annemarie Jordan Gschwend -- _tNoah’s Ark Disembarked In Holland: Animals In Dutch Poetry, 1500–1700 / _rJohan Koppenol -- _tOctopuses, Foxes And Hares: Animals In Early Modern Latin And German Proverbs / _rFranziska Schnoor -- _tA Zoological Emblem Book: Willem Van Der Borcht’s Sedighe Sinne-Beelden (1642) / _rVincent Buyens -- _tFaire Le Beau Pour Faire La Paix: Considérations Sur Les Bêtes Dressées De Joseph Boillot (1592) / _rPaulette Choné -- _tLife And Death In The Northern European Game Piece / _rSarah R. Cohen -- _tIndex Nominum / _rK.A.E. Enenkel and M.S. Smith. |
| 506 | 1 | _aAvailable to subscribing member institutions only. | |
| 520 | _aThe new definition of the animal is one of the fascinating features of the intellectual life of the early modern period. The sixteenth century saw the invention of the new science of zoology. This went hand in hand with the (re)discovery of anatomy, physiology and – in the seventeenth century – the invention of the microscope. The discovery of the new world confronted intellectuals with hitherto unknown species, which found their way into courtly menageries, curiosity cabinets and academic collections. Artistic progress in painting and drawing brought about a new precision of animal illustrations. In this volume, specialists from various disciplines (Neo-Latin, French, German, Dutch, History, history of science, art history) explore the fascinating early modern discourses on animals in science, literature and the visual arts. The volume is of interest for all students of the history of science and intellectual life, of literature and art history of the early modern period. Contributors include Rebecca Parker Brienen, Paulette Choné, Sarah Cohen, Pia Cuneo, Louise Hill Curth, Florike Egmond, Karl A.E. Enenkel, Susanne Hehenberger, Annemarie Jordan-Gschwendt, Erik Jorink, Johan Koppenol, Almudena Perez de Tudela, Vibeke Roggen, Franziska Schnoor, Paul J. Smith, Thea Vignau-Wilberg, and Suzanne J. Walker. | ||
| 546 | _aChapters in English, with 2 in German and 1 in French. | ||
| 650 | 1 | 7 |
_aBeeldende kunsten. _2gtt |
| 650 | 1 | 7 |
_aBellettrie. _2gtt |
| 650 | 1 | 7 |
_aDierkunde. _2gtt |
| 650 | 0 |
_aZoology _xHistory. |
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| 651 | 7 |
_aEuropa (geografie) _2gtt |
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| 700 | 1 | _aEnenkel, K. A. E. | |
| 700 | 1 |
_aSmith, P. J. _q(Paul J.) |
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| 776 | 0 |
_tEarly modern zoology _z9789004131880 (alk. paper) _z9004131884 (alk. paper) |
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| 830 | 0 |
_aIntersections _v7. |
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| 830 | 0 | _aEuropean History and Culture E-Books Online, Collection 2007, ISBN: 9789004222830. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/ej.9789004131880.i-657 |
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_aC0 _bNEIDC |
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_c21445 _d21445 |
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